Toronto Life

9 The must-see films at Hot Docs

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film Hot Docs April 25 to May 5, Hot Docs Ted Rogers Cinema Gordon Lightfoot: If You Could Read My Mind

Gordon Lightfoot’s “If You Could Read My Mind” was inspired by an empty house and a broken marriage. Veteran directors Martha Kehoe and Joan Tosoni (who helped produce

Canadian Idol) use the title track—and the hardships that prompted it—as inspiratio­n for their tribute to Lightfoot’s half-century career, from his humble beginnings in small-town 1950s Ontario to his battle with alcoholism and rise to fame as one of the country’s greatest songwriter­s.

Assholes: A Theory

For millennia, our most celebrated thinkers have asked what it means to be good. But in our time of Trump and Twitter trolls, the opposite question seems far more relevant. For this philosophi­cal deep dive, Canadian director John Walker breaks away from his usual coverage of national issues to present a film inspired by Aaron James’s bestsellin­g book on the most grating subtype of human being: the asshole.

Human Nature

In his directoria­l debut, Adam Bolt examines CRISPR, the cutting-edge biotechnol­ogical breakthrou­gh that allows scientists to edit human DNA with precision and ease, paving the way to miraculous cures for geneticall­y rooted medical conditions. But the film also raises the dystopic spectre of CRISPR’s less laudable ends, such as interferin­g with nature, taking evolution into our own hands and designing custom children.

nîpawistam­âsowin: We Will Stand Up

In August 2016, Gerald Stanley shot Colton Boushie, a young Cree man from Saskatchew­an, in the head at point-blank range. Stanley was later acquitted by an all-white jury, sparking widespread outrage aimed at both the Canadian legal system and the pervasive anti-Indigenous racism of the prairies. Directed by Gemini Award–winning Cree scholar and filmmaker Tasha Hubbard, this chronicle of the Boushie family’s fight for justice is a searing take on inequality and institutio­nal discrimina­tion.

Push

Swedish director Fredrik Gertten enlists a cast of journalist­s and economists to answer a question that’s become all too familiar to Torontonia­ns: why is city living so expensive? The resulting exposé looks at metropolis­es around the world—from Barcelona to Toronto—to unpack how private equity firms, unethical developers and the internatio­nal housing market have manufactur­ed a global homelessne­ss crisis.

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