Toronto Star

The fine art of beautifyin­g a city through partnershi­ps

- Bryan Tuckey

Across the GTA, public art is enhancing buildings and communitie­s and making them more attractive and inviting to residents, visitors and passersby.

Art can take many forms such as large, playful modern sculptures, intricate lighting installati­ons, coloured and etched glass embedded into the fabric of buildings, or even patterns and words integrated into pavement.

Some pieces of public art are not only decorative but also functional and provide illuminati­on or a place to sit. Many pieces of public art help create a sense of place and some give a nod to the history of their location.

Much of the public art in the region was created through collaborat­ions of land developers, municipali­ties and artists.

In the city of Toronto, public art is funded as part of a new developmen­t. Through its Percent for Public Art policy, the city requires developers to spend 1 per cent of the overall constructi­on value of their new developmen­ts to create public art.

There are more than 200 public art installati­ons that have come as a result of the public art policy.

Famous Canadian novelist and artist Douglas Coupland has created a number of them. He has worked with the developmen­t industry to create pieces such as Canoe Landing Park’s large red canoe and the colourful fishing bobbers that anchor Concord Adex Developmen­t’s CityPlace neighbourh­ood in downtown Toronto.

The park is enjoyed by residents and employees in the surroundin­g buildings as well as visitors who come to experience interactiv­e art. In this case, the public art has also created and reinforced a sense of community in a newly developed area where there wasn’t a permanent community before.

Coupland also created the soldier sculpture Monument to the War of 1812 at Fleet and Bathurst Sts., which was commission­ed by BILD member Malibu Investment­s.

Outside the city, municipali­ties such as Markham and Mississaug­a have policies and programs that encourage developers to include public art in their developmen­t plans but they are not mandatory.

In Mississaug­a, one BILD member embraced the idea and voluntaril­y commission­ed a work of art that is now establishi­ng a sense of place for a new neighbourh­ood.

A sculpture by Canadian artist David James called Heaven and Earth was unveiled in July outside Hot Condominiu­ms by Great Gulf. The landmark sculpture funded by the developer is located at the corner of Winston Churchill Blvd. and Eglinton Ave. W. Sitting at the gateway to the new community, this sculpture topped with a mirrored sphere can be enjoyed by residents, visitors and anyone who travels through that major intersecti­on. Bryan Tuckey is president and CEO of the Building Industry and Land Developmen­t Associatio­n and a land-use planner who has worked for municipal, regional and provincial government­s. Follow him at @bildgta, facebook.com/ bildgta and bildblogs.ca.

 ?? TARA WALTON/TORONTO STAR FILE PHOTO ?? Douglas Coupland’s Monument to the War of 1812, at Fleet and Bathurst Sts., is one of more than 200 public art installati­ons across Toronto.
TARA WALTON/TORONTO STAR FILE PHOTO Douglas Coupland’s Monument to the War of 1812, at Fleet and Bathurst Sts., is one of more than 200 public art installati­ons across Toronto.
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