Toronto Star

Hollywood’s most dismal summer since 2006 ends with tepid finale

A poor Labour Day weekend passes without usual new release

- ANOUSHA SAKOUI AND MEGAN DURISIN

LOS ANGELES— The credits have rolled on Hollywood’s worst summer in a decade, closing out with a dismal Labour Day weekend that was the first in a generation without a big, new movie opening in wide release.

The summer drew in a little more than $3.8 billion (U.S.) in sales, the first time the season’s tally has dipped below the $4-billion mark since 2006, according to Paul Dergarabed­ian, senior media analyst at researcher comScore Inc.

The holiday weekend generated about $99.5 million in U.S. and Canadian theatres from Friday through Monday, the least since 1998, according to comScore.

The last time Hollywood studios didn’t have a big Labour Day release was 1992, and the absence of a new film this weekend put a capstone on what went wrong during the usually prosperous summer season.

Studios spread their big budget pictures across the calendar this year, and much of what they did offer from May to September — new installmen­ts of ongoing serials — disappoint­ed fans.

“Some comedies didn’t perform as expected and there were some great movies that didn’t resonate here, although they did better internatio­nally,” Dergarabed­ian said by phone Sunday. “All it takes are one or two movies to harm the bottom line in a profound way.”

The domestic box office is down about 6 per cent year to date compared with a year earlier, according to comScore.

The holdover picture The Hitman’s Bodyguard from Lions Gate Entertainm­ent Corp. led the box office for a third time, generating $13.4 million through Monday, according to comScore. It was forecast to generate $7.1 million from Friday to Sunday and $9.1 million through the extended holiday weekend, according to analysts at Box Office Mojo.

The biggest opening this weekend was a re-release of Steven Spielberg’s Close Encounters of the Third Kind, which opened in 901theatre­s to celebrate the science fiction film’s 40th anniversar­y, according to comScore. The film was expected to take in $2.3 million for Friday through Monday.

The weekend also saw the debut of Tulip Fever, a period drama from Weinstein Co. featuring Alicia Vikander, and the novel release of the first two episodes of Marvel Entertainm­ent’s The Inhumans on Imax screens. It had been planned as a film but was instead made into a TV show. ABC will premiere the series in the fall.

Among other returning films, Warner Bros.’ Annabelle: Creation returned to place second with $9.3 million. It had been forecast to generate $5.1 million over three days and $6.7 million over four days, according to Box Office Mojo.

That puts it on track to be one of the few sequels this summer to beat its predecesso­r, according to Gitesh Pandya at Box Office Guru.

While sales were harmed by the lack of a new opening movie this weekend, Dergarabed­ian is expecting an improvemen­t in the coming months, kicked off by Warner Bros.’ release of It, a horror thriller based on the Stephen King novel of the same name.

“The good news is we have It this week, and then movies such as The Lego Ninjago Movie, Kingsman: The Golden Circle and Blade Runner 2049to come,” he said. “We are going to make up a lot of ground in the next three months.”

 ??  ?? Alicia Vikander stars in Tulip
Fever, one of the few Hollywood films released this Labour Day weekend.
Alicia Vikander stars in Tulip Fever, one of the few Hollywood films released this Labour Day weekend.
 ?? JACK ENGLISH/THE ASSOCIATED PRESS FILE PHOTO ?? The Hitman’s Bodyguard led the box office for a third time this weekend, earning $13.4 million through Monday.
JACK ENGLISH/THE ASSOCIATED PRESS FILE PHOTO The Hitman’s Bodyguard led the box office for a third time this weekend, earning $13.4 million through Monday.

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