Toronto Star

Louis C.K.’s secret film on fatherhood, scandal

Movie channels controvers­ies that follow both Woody Allen and the comedian himself

- JAKE COYLE THE ASSOCIATED PRESS

Louis C.K. on Saturday debuted potentiall­y the most audacious film of the Toronto Internatio­nal Film Festival: a very Woody Allen-esque comedy that simultaneo­usly comments on Allen — and C.K.’s — controvers­ies.

C.K. shot the film, I Love You, Daddy, earlier this year in secret. He financed its production himself and shot it in black-and-white and on 35mm. Little was known about it before it premiered Saturday, so the audience was at turns delighted, surprised and uncertain about the brazen — but definitely quite funny — result.

The New York-set, lushly scored movie often takes after Allen’s 1979 film Manhattan, yet it also includes a character that the cast on Saturday acknowledg­ed was modelled after Allen. John Malkovich plays a legendary film director who’s rumoured to have molested a young girl decades earlier. At the premiere, C.K. — who co-starred in Allen’s Blue Jasmine — said he and co-writer Vernon Chatman wanted to make a movie about beloved artists who are trailed by murmurs of scandal.

“Vernon and I were talking about the fascinatio­n with people that there’s these stories about and stuff — people that you love in their work,” C.K. told the audience after the screening.

But I Love You, Daddy could also be seen a C.K.’s response to his own controvers­ies. Allegation­s of questionab­le sexual behaviour have long dogged C.K. Most recently, the comedian (and previous C.K. collaborat­or) Tig Notaro advised C.K. to “handle” the rumours.

In the film, C.K. plays a successful TV producer whose 17-year-old daughter (Chloe Grace Moretz) begins a relationsh­ip with Malkovich’s aged director. It spawns a kind of crisis for C.K.’s character, who has his own issues with how he treats women.

The Guardian called it “a very funny and recklessly provocativ­e homage to Woody Allen, channellin­g his masterpiec­e Manhattan and brilliantl­y finding a fictional way to tackle his personal reputation head-on.”

C.K. said he was able to pay for the film with profits from Horace and Pete, the TV series he also self-funded and distribute­d on his own. How he’ll release I Love You, Daddy isn’t yet clear, though the comedian reminded those in attendance that it’s for sale.

“I just didn’t tell anybody we were making it. If you don’t tell anybody, nobody cares what you’re doing,” C.K. said.

I Love You, Daddy screens four more times at TIFF.

 ?? JEREMY CHAN/GETTY IMAGES ?? Louie C.K. shot I Love You, Daddy, earlier this year in secret. He funded the production himself.
JEREMY CHAN/GETTY IMAGES Louie C.K. shot I Love You, Daddy, earlier this year in secret. He funded the production himself.

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