Acclaimed author Le Guin dies at 88
Ursula K. Le Guin, the immensely popular author who brought literary depth and a tough-minded feminine sensibility to science fiction and fantasy with books like The Left Hand of Darkness and the Earthsea series, died Monday at her home in Portland, Ore. She was 88.
Her son, Theo Downes-Le Guin, confirmed the death. He did not specify a cause but said she had been in poor health for several months.
Le Guin embraced the standard themes of her chosen genres: sorcery and dragons, spaceships and planetary conflict. But even when her protagonists are male, they avoid the macho posturing of so many science fiction and fantasy heroes. The conflicts they face are typically rooted in a clash of cultures and resolved more by conciliation and self-sacrifice than by swordplay or space battles.
Her books have been translated into more than 40 languages and have sold millions of copies worldwide. Several, including The Left Hand of Darkness — set on a planet where the customary gender distinctions do not apply — have been in print for almost 50 years. Critic Harold Bloom lauded Le Guin as “a superbly imaginative creator and major stylist” who “has raised fantasy into high literature for our time.”
In addition to her 21novels, she was the author of more than 10 books of poetry, more than 100 short stories (collected in multiple volumes), seven collections of essays, 13 books for children and five volumes of translation.
Le Guin’s fiction ranges from young-adult adventures to wry philosophical fables. They combine compelling stories, rigorous narrative logic, and a lean but lyrical style to draw readers into what she called the “inner lands” of the imagination. Such writing, she believed, could be a moral force.
“If you cannot or will not imagine the results of your actions, there’s no way you can act morally or responsibly,” she told the Guardian in an interview in 2005. “Little kids can’t do it; babies are morally monsters — completely greedy. Their imagination has to be trained into foresight and empathy.”
The writer’s “pleasant duty,” she said, is to ply the reader’s imagination with “the best and purest nourishment that it can absorb.”