Toronto Star

Instagram offers a master class for future U.S. retail tycoons

Smaller businesses have found creative ways to sell their wares on social media

- KIM BHASIN BLOOMBERG

It’s the first day of class at Instagram. Students check in at two security desks and sign nondisclos­ure agreements before heading up to the photoshari­ng app’s Manhattan offices. The 20 or so guests, almost entirely women, stride past the cluttered workstatio­ns of Facebook engineers and into a conference room.

In attendance are executives and marketing managers from various fashion and beauty companies. Birchbox, a seller of makeup and bath products that’s raised $100 million and jump-started the subscripti­on box craze, sent six. Another group from Madewell — J. Crew’s sister brand — sits up front. Big names from denim brand Ayr and Soludos take their seats. Even famed designer Cynthia Rowley makes an appearance, along with the president of her label. So does her daughter, Kit Keenan, an Instagram influencer who has been featured in Teen Vogue and Refinery29.

They’ve all come to learn how to make piles of money using the ubiquitous app. But the folks at Instagram have a lot to learn from them, too.

Vishal Shah, director of product for Instagram Business, told the assembled crowd that he wants to figure out how the platform’s most avid users buy things.

“Shopping isn’t a linear journey,” he said. “It’s not even a funnel, in the typical sense. We actually refer to it as the noodle.”

That noodle is about to become the way a big part of the world consumes.

Once, Instagram was a simple photo-sharing app, a way for iPhone shutterbug­s to show off their latest cool pics. Now, its visual nature and 1 billion active users have sellers salivating over its potential as a place to sell everything from dresses to furniture. Of those users, 150 million interact with the 25 million or so businesses that have a presence on the app. Instagram has counted a few retailers-including Macy’s and J. Crew, as partners, but the platform remains an afterthoug­ht for other big names.

Bought by Facebook in 2012 for $1 billion, Instagram has spent the past three years trying to solve this shopping puzzle. Everyone is already on their phone, and the mass migration from brick-and-mortar to online shops such as Amazon.com is taking the next leap, into the palm of one’s hand and social media.

Yet hype around the dawn of “social commerce” has dissipated of late. Online shoppers have been slow to close their retail apps in favour of social ones. Even now, 54 per cent of online buyers never make purchases that begin on social media, according to a 2017 report from visual search company ViSenze.

Smaller businesses are the ones that have found creative ways to hawk their wares on social media. Young entreprene­urs are starting online stores that use Instagram to funnel shoppers to their websites. Vintage clothing retailers post outfits and reward the first commenter with permission to buy each one-of-a-kind item, creating a mad dash for dresses and pumps. If you’re too slow, it’s gone forever.

Instagram doesn’t facilitate these purchases, however. It’s all done manually by entreprene­urs. There’s a gap between Instagram and the retail world — a tech entity hoping to understand an industry more concerned with fashion cycles, inventory and merchandis­ing than how to use a flashy new feature on the app.

The company has been studying expanding niches to find out how expert users create commerce — and spreading what it learns.

The class at its New York offices is meant to bridge that gap.

“We really wanna invest in this,” said Susan Buckner Rose, director of monetizati­on product marketing at Instagram. “Really, what we want is for these businesses not to just have an Instagram presence, but be able to leverage all these tools.”

Maximizing Instagram’s already huge presence is a good thing for Facebook, and not just financiall­y. The photo-sharing app provides its parent the opportunit­y to regain some cultural cool it lost long ago. In fact, some consider Instagram to be Facebook’s saviour, given its younger audience and concomitan­t marketing advantages.

On Facebook, there are neoNazis and St. Petersburg trolls. On Instagram, there are sunsets and avocado toast.

Instagram, in other words, is a carefree getaway from the daily grind. For many, that’s what shopping is, too. Bingo.

But it’s not alone in making this connection. The company is encroachin­g on territory coveted by Amazon and traditiona­l retailers eager to grow online sales.

Amazon Fashion sells clothing through the store’s near-universal internet presence, and now offers a try-before-youbuy wardrobe service. Department stores all have their own Instagram accounts, driving people to their websites either by promoting individual products or touting clearance events. But that’s just like traditiona­l advertisin­g, not true social commerce.

Instagram is looking to capitalize on this gap by being much, much more hip than everyone else.

Kay Hsu, Instagram’s creative lead, is a key figure in convincing brands to use Instagram. She attends festivals in London and Cannes to dish about the company’s new strategy. She’s appeared on podcasts with AdAge and written articles for Adweek to explain why businesses should use vanishing content to draw consumer attention while, of course, plugging Instagram.

After Shah’s introducto­ry remarks, she took the New York class in hand. What works, then? She spent an hour explaining. You see, amateurs often have to create their photoshoot­s from scratch, without all the expensive equipment, and since they don’t have to ask anybody for permission, they can constantly try new things, she said.

Shah and Hsu called out various brands that were doing Instagram right, such as shoe label M. Gemi and fitness guru Kayla Itsines. They brought up several campaigns worked on by the marketers in the room and dissected why they were, or weren’t, successful.

Itsines, the 27-year-old Australian, uses the app to both grow brand and business. On her account, which now has about 10 million followers, she mixes their photos with workout tips and promotes her own events. Itsines may not be filling her posts with buttons to buy dresses or eyeshadow, but she’s attracting newcomers to her business nonetheles­s.

Hsu talked about the role of influencer­s, those social media stars whose followers keep up with everything they do and wear. They’re the envy of all. Everyone, it seems, is still hoping to catch up to them.

“Right now, those 13-year-olds are doing better content than any of us in here,” she said, then pauses, rememberin­g who is in the room. “No offence.”

While its executives explain what works, Instagram is still trying to learn, and not just from its own users. A variety of startups have bought into social commerce, albeit with their own platforms.

But many of these sites don’t feel all that different from traditiona­l desktop shopping. Community-based bazaars such as Etsy and Poshmark have you browse through individual online storefront­s tied to its army of crafters. Design sites Threadless and Cut On Your Bias are more participat­ory, allowing for collaborat­ive design of new items. Then there are group- purchase services such as Groupon and LivingSoci­al, which provide flash sale deals if enough people sign up.

On Instagram, the process of buying something can start on the app, but it doesn’t end on the app. Merchants on platforms such as BigCommerc­e and Spotify can tag products in their Instagram posts, and little boxes designate what’s available for purchase. You can click to find the product descriptio­n, which appears with more informatio­n. Then, you click through to the retailer’s own website, where the item is listed, and complete the sale there.

While there are numerous ways to present what’s for sale, right now retailers use Instagram’s static feed of photos and sometimes videos. Instagram recently added the ability to sell on Stories, a feature that allows users to post photos and videos that disappear after 24 hours. Executives said they predict there will eventually be a crucial shift from feed-based social media to stories.

Back at the classroom, the students had questions. Why can’t you add tags for both people and products in the same Instagram post? Are you going to make people buy directly on Instagram, rather than click through to a retailer’s website? Why aren’t you allowing longer videos? Are you working on any tools for customer service? Can you make it easier to manage direct messages? Are you investing in desktop at all?

“The colour-optimizati­on is usually spot on, but sometimesi­t’s not?” someone from Birchbox said near the end of the . Shah seeks to reassure her. “Nothing specific to announce right now,” he said, “but know that we’re thinking about it.”

 ?? JEENAH MOON/BLOOMBERG ?? Designer Cynthia Rowley attended the Instragram master class in New York, where a new world of online sales is being forged.
JEENAH MOON/BLOOMBERG Designer Cynthia Rowley attended the Instragram master class in New York, where a new world of online sales is being forged.

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