Toronto Star

NEW NORDIC

Delectable local food culture is thrillingl­y primal, even blunt, founded on spectacula­r produce

- ALEXANDER LOBRANO

Oslo’s cuisine is frisky, unpretenti­ous and built around a love of fresh produce and off-the-cuff creativity,

Oslo first registered with many people as a possibly alluring new gastronomi­c destinatio­n in 2016 when the excellent restaurant Maaemo won three Michelin stars. For me, though, the growing culinary appeal of the Norwegian capital isn’t best defined by Michelin but rather a delectable local food culture that’s based on the country’s spectacula­r seafood and produce, amped up by the brevity of its growing season.

The best cooking in Oslo is often found at the growing number of friendly, casual and, for this expensive country, relatively affordable gastro pubs and modern bistro-style tables that serve food inspired by an edgier contempora­ry idiom of French cooking, “la bistronomi­e.”

Much of this cuisine is thrillingl­y primal, even a little bit blunt, as seen in a funky local love of smoked and fermented foods, the acidulated dairy flavours of brown butter, brown cheese (made from caramelize­d whey), buttermilk and soured cream. Scandinavi­an herbs and seasonings such as wild wood sorrel, sea buckthorn berries and “Nordic capers” (pickled elderflowe­r berries), punctuate this umami-rich food with their bracing acidity.

There may also be an element of underdog complex at work in the current vivacity of the Norwegian capital’s restaurant scene. “Oslo is a bit like the little brother of Copenhagen and Stockholm,” said Anders Husa, an Oslo native and food blogger, over coffee at Tim Wendelboe, a renowned Oslo coffee shop, “but the dining scene here has been evolving really quickly during the past 10 years, and it’s super focused on quality.”

That’s partly thanks to an abundance of small independen­t farms and, Husa said, “a new generation of farmers returning to traditiona­l ways of farming that respect the environmen­t and produce food that’s healthier and more delicious than what comes from industrial­ized agricultur­e.”

After four days of excellent eating in Oslo last summer, I have come to agree: There’s still sort of a dewy excitement around the idea of trying a new restaurant in the city, and the true north of most Oslo chefs remains the winsome desire to please their customers, not guidebook critics. Norway’s version of New Nordic cooking is frisky, witty and unpretenti­ous. Bass Oslo Domestic wine production in Norway is almost nil (very small amounts of apple and rhubarb wine are made, along with a tiny quantity of grape-based quaffs), but the country has evolved into one of the most sophistica­ted wine markets in the world. Oslo restaurant­s have wine lists that rival those in the major cities of wine-producing countries such as France, Italy and Spain, and occasional- ly even better them in terms of the cosmopolit­an variety offered.

An ardent new local love of organic, natural and unfiltered wines in Oslo has also led to the birth of a handful of distinctly Norwegian wine-oriented bistros, where a casual meal spins on the axis of often brilliant, if occasional­ly odd, wine-and-food pairings. These small-plate eats are a great expression of the off-the-cuff creativity of Oslo chefs.

One such spot is Bass Oslo. The menu has no national allegiance­s other than great seasonal produce and full-bore deliciousn­ess, and so it changes regularly, which makes almost every meal here a one-off event.

During a visit with two Swedish friends we grazed through almost the entire menu. What the kitchen does really well here are yin-yang miniatures — small dishes with perfectly balanced flavours, such as grilled mackerel whose oily richness was buffered by the differing tones of acidity in two garnishes, pickled cucumber and verjus-marinated mustard seeds.

We also scarfed down two orders of their juicy fried free-range chicken with black-bean mayonnaise, and liked the ribs with rhubarb compote so much we ordered them twice. A juicy, natural red wine from the Languedoc-Roussillon in France was the perfect pour with these two dishes. This is an easygoing, goodtimes kind of place, which is why it’s packed nightly.

Thorvald Meyers gate 26 C; 47-482-41-489; bassoslo.no. An average dinner for two, without wine, is 1,000 kroner, about $160 (Canadian). Open for dinner only. Brutus This excellent year-old wine bar with a small-plates menu manages to be polite and friendly in a way that similarly modish places rarely are in, say, New York or London.

I started off with a glass of Solhoi, an excellent Norwegian hard apple cider that paired beautifull­y with roasted red beets with seaweed and nyr (a soft, acid- ic, fresh cheese produced at an organic farm 40 minutes outside of Oslo) on a round of flatkokur, a charred rye flatbread from Iceland, which is where the restaurant’s chef, Arnar Jakob Gudmundsso­n, was born.

Much of the restaurant’s team, in fact, is internatio­nal, because Oslo has become a talent magnet for ambitious young Scandinavi­an chefs and foodand-wine profession­als.

Ordering à la carte — there’s also a six-course tasting menu for 595 kroner (about $95.50) — I sampled exceptiona­lly succulent mussels hidden in a foamy pool of dulse seaweed mayonnaise with an edible bouquet of pickled angelica and cucumber with mint leaves and flowers. Gudmundsso­n’s cooking showcases the purity and frank flavours of exceptiona­l local seasonal produce.

The couple sitting next to me insisted I try the tempura cod tongue with cod roe fried in butter and celeriac shavings — a rich Nordic comfort-food home run of a dish that paired perfectly with a glass of Cotes du Jura Les Gaudrettes chardonnay. The wine also sang in tune with the barley risotto with oyster mushrooms in cheese sauce.

I finished up with a glass of Colombaia, a Tuscan red, with chewy but full-flavoured roast mutton and braised salsify. Brutus is the kind of restaurant where I could happily become a regular. Eiriks gate 2; 47-22-38-00-88; barbrutus.no. An average dinner for two, without wine, is 800 kroner, about $128. Only open for dinner.

Fyr Bistronomi & Bar

When I arrived at Sebastian Myhre’s bistro, the subtle whiff of charcoal was not a shock: With the Norwegian word for fire in its name, the restaurant would be making major use of a Spanish-made Josper grill, that most essential piece of cooking equipment for a young chef striking out on his or her own in Oslo today.

The city is in the midst of a serious caveman moment, with a passion for smoke and char that shows up in some unlikely places — in the case of Fyr, a smoked potato-and-leek soup and a dessert with smokedcrea­m ice cream.

The base for Myhre’s creativity is a rigorous classical culinary background. He honed his steely technique at several of the best restaurant­s in Norway and also did a stint at Per Se in New York

I chose the six-course tasting menu, an economical way of discoverin­g Myhre’s style, which is more subtle and sensitive than the hypermascu­line cooking that’s so modish in Oslo right now.

An amuse-bouche of smoked pork-rind chips with loyrom (vendace roe) and sour cream previewed Myhre’s palate, at once sophistica­ted and proudly Norwegian. The meal that followed transcende­d a traditiona­l preference for plainness and simplicity with bashfully elegant dishes such as a tartare of marinated trout with watercress mayonnaise and an elderflowe­r bouillon that was the essence of the fragile, fleeting Norwegian summer.

Those were followed by a plump, succulent, grilled langoustin­e from Froya, an island off the middle of Norway’s almost 2,574-kilometre coastline. Like the Japanese, the Norwegians are ardent seafood lovers, and Froya is renowned for these crustacean­s, among other seafood.

White and green asparagus, cooked sous vide in milk, were garnished with a poached egg, ramson oil, bonito flakes and ramps, the last adding some pleasant astringenc­y to a soothing umami-rich dish. After two pleasantly sinewy meat courses — ox with corn and Trondheim beef grilled on a chunk of Himalayan salt — came the most memorable dish of the meal: Brennende Kjaerlighe­t (Burning Love), grilled lamb sausage, beets, onions and pancetta with potato purée. It was deeply satisfying, but also poignant: an homage to the chef’s mother, who died when he was a child.

Underhaugs­veien 28; 47-459-16-392; fyrbistron­omi.no. The six-course tasting menu, without wine, is 550 kroner, or about $88; there’s also a nine-course tasting menu for 695 kroner, about $112, and an à la carte menu. Kontrast

I was studying the tiny bubbles rising in a superb flute of De Sousa Grand Cru Reserve Brut Blanc de Blanc when the show began. A waitress lowered a black metal branch anchored in a round of cement onto my table. She explained that the slices of meat dangling on hooks were duck breast cured in coffee and juniper. They came accompanie­d by two canapés of duck liver mousse on phyllo pastry crisps with onion powder.

The pool of light from the suspension lamp overhead turned my table into a sort of intimate stage, the venue for the drama of an intriguing­ly creative, if sometimes eccentric, sixcourse tasting menu that was rather miraculous­ly perfect from one course to the next.

Mackerel pickled in rhubarb juice and presented on a bed of potato with a herb emulsion and crispy barley was bracingly good, the fruity acidity brightenin­g the oceanic tones of the fish. Another miniature of wild salmon filet with cloudberry vinegar and nettle leaves that created a pleasantly felted feeling on the tongue worked similarly and as the meal became subtler, I learned more about Kontrast’s Swedish-born chef, Mikael Svensson, from the waitress.

Svensson began cooking when he was 16. After working at a couple of acclaimed restaurant­s in Spain, he moved back to Scandinavi­a and settled in Oslo in 2008. He opened Kontrast, his first restaurant as chef-owner, in 2013. In 2015, he moved it to the sleek new setting that it occupies today, and, in 2016, won the Michelin star he still holds.

The meal was beautifull­y orchestrat­ed, by turns serene and intense. An example of the latter category: Chicken baked in salted bread dough and then heated in butter with grilled cabbage, topped with dried toasted chicken skin. The different tones of savoury flavour stunned. A dessert of cream infused with buckthorn berries with almond crumble and white asparagus ice cream was a flirtatiou­sly suave miniature of a Scandinavi­an summer — skinny-dipping after a beach picnic.

Svensson’s cooking refines the wildness of New Nordic cooking without losing its naturalnes­s and occasional naivete. Out of all of these talents, he may be the best chef working in Oslo right now. Maridalsve­ien 15a; 47-21-60-01-01; restaurant-kontrast.no. The sixcourse tasting menu for two, without wine, is 1,900 kroner, about $305.

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 ?? ALEJANDRO VILLANUEVA PHOTOS/THE NEW YORK TIMES ?? Bass Oslo is a great example of the cuisine’s off-the-cuff creativity and dedication to full-bore deliciousn­ess.
ALEJANDRO VILLANUEVA PHOTOS/THE NEW YORK TIMES Bass Oslo is a great example of the cuisine’s off-the-cuff creativity and dedication to full-bore deliciousn­ess.
 ??  ?? The duck liver mousse on phyllo pastry crisps with onion powder at Kontrast.
The duck liver mousse on phyllo pastry crisps with onion powder at Kontrast.
 ?? ALEJANDRO VILLANUEVA/THE NEW YORK TIMES ?? Fyr’s a dry-aged rib eye, seared on Himalayan salt rock, with corn, onion and an umami-rich dip.
ALEJANDRO VILLANUEVA/THE NEW YORK TIMES Fyr’s a dry-aged rib eye, seared on Himalayan salt rock, with corn, onion and an umami-rich dip.

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