Toronto Star

Brands no longer want your loyalty, they also want your love

Younger generation­s demand a new kind of interactio­n — and much more attention

- JANINE WOLF

NEW YORK— Gone are the days when the only goal of a company was to persuade you to buy its product. Now, making you feel kinship with a brand — even love — takes precedence.

At least, that’s what a group of influentia­l startups believe.

Eyewear maker Warby Parker, makeup seller Glossier, mattress retailer Casper — all of these companies are “direct-toconsumer” brands largely born on the internet.

Sure, advertisin­g has been about identity since before there was a Marlboro man.

But these “digital native” retailers, known for indulgent niche products at accessible prices, have given an entirely new meaning to the phrase “brand affinity.”

From luggage-seller Away inviting customers to walk through a pretend airport security line to Seamless using its own data for a cute subway ad campaign (a Bronx neighbourh­ood was deemed least ideal for “making out” because residents order the most garlic bread), digital native brands have created a new algorithm.

The traditiona­l buy-sell model doesn’t fly any more, said Americus Reed, a marketing professor at the University of Pennsylvan­ia’s Wharton School.

Younger generation­s weaned on the web demand a new kind of interactio­n — and much more attention.

This is forcing legacy companies to play catch up on yet another front.

“Retailers in the physical space are going to have to provide something that is more experienti­al, that is going to draw people in to hang out and do stuff,” Reed said.

But they’ll have to move fast. Close to 7,000 physical stores were shut down by the end of 2017, according to research and advisory firm FGRT. In the same period, Ottawa-based ecommerce builder Shopify Inc. powered more than 600,000 online businesses, with 73 per cent of purchasing traffic coming from mobile devices.

The ability to instantly feed customer data back into a business model is perhaps the most critical change.

“While these disrupter companies are obviously much smaller, they are advantaged in their ability to obtain and to use that first-party data much, much more rapidly,” said Randall Rothenberg, chief executive of the Interactiv­e Advertisin­g Bureau.

The growth of direct-to-consumer retailers is most apparent when it comes to personal products for men.

IAB notes that Gillette’s share of the U.S. men’s razors business, for example, dropped to 54 per cent in 2016, from 70 per cent in 2010 while the combined U.S. share of shaving upstarts Harry’s and Dollar Shave Club rose to 12.2 per cent, from 7.2 per cent, in 2015 alone. (Perhaps this explains Gillette’s audacious new ad campaign).

For men’s startup, Hims, founder Andrew Dudum said making a sale (at least in the short run) ranks lower than building a long-term customer relationsh­ip.

Like many of his peers, the 30-year-old said he’s trying to do more than just sell products, which, in the case of Hims, means generic versions of Viagra and skin-care items for men. The San Francisco-based company hopes to create an “emotional trust” that will encourage men to talk openly about health issues without feeling embarrasse­d.

“It’s so easy to build a brand — get it live and throw up Instagram ads — that I think building a serious depth of trust with your consumers involves so much more than that,” Dudum said. “When they need something, we’re here to help them.”

It may sound a bit precious, but responsive­ness with a veneer of loyalty can make a startup stand out in a world where anyone with a phone can call themselves an entreprene­ur. A company’s brand — the feeling, image or story consumers immediatel­y recognize when they see it — is now everything.

With this shifting landscape comes a new generation of branding firms. Hims brought in Gin Lane, the creative brains behind Sweetgreen, SmileDirec­tClub and Harry’s. The Manhattan-based firm had to build a strategy that would overcome the male tendency to remain utilitaria­n when it comes to hygiene. The trick was to make men feel empowered when buying health products.

San Francisco-based Hims first approached Gin Lane in June 2017 and launched the following November. The central question for the brand was, how do you stop men from buying plastic razors in a 20 pack or skulking down the hair care aisle for a package of Rogaine?

The answer, it turns out, was humour.

“We wanted to be that uncle that men could feel comfortabl­e asking the uncomforta­ble questions,” said Dan Kenger, digital creative director at Gin Lane. Over the course of four months, the firm drafted every little detail of the brand’s persona. This even included how the “voice” of Hims would change, depending on whether its message was on Instagram or in a text.

Hims’s play on innuendo, from cheeky cactus visuals to eggplant emojis, became a way for the company to inject humour into the men’s health space. Emojis, what Gin Lane co-founder Emmett Shine calls the “universal language of millennial­s” and a useful tool to break the masculine ice, also became a big part of the marketing strategy.

The secret, he said, is to take the form of a friend, with ads that converse on an emotional level.

“People are expecting their brands to be more intelligen­t, to know who they are, to speak to them as you would expect another human to speak to you,” Shine said. Hims now has about 60 employees and, with a line of prescripti­on-based products and medical services in some U.S. states, a network of more than 124 licenced physicians. The company has raised $97 million (U.S.) from such investors as Institutio­nal Venture Partners, Forerunner Ventures and Josh Kushner’s Thrive Capital. The latest round valued the company at $500 million, according to data firm PitchBook. And since the brand’s launch 15 months ago, the numbers show they might be on to something: Hims said it booked $1 million in sales during its first week and that sales have climbed ever since.

“This is the playbook for the future,” Shine declared.

“Brand has become a little bit of a commodity,” said Neil Parikh, co-founder and chief strategy officer of bed-in-a-box retailer Casper, in a 2018 interview.

And though Casper’s quirky-yet-lovable persona seems intuitive now, it was arguably that brand identity that helped it rise to the top in just five years. It now leads an industry that’s projected to be worth $43 billion by 2024.

“The industry had trained people that, in order to choose a mattress, you had to lie on it,” said Emily Heyward, co-founder of Red Antler, a Brooklyn, N.Y.-based agency that was brought in to help create Casper’s brand.

They decided that the only way to get people to buy mattresses online was to build a brand they connected with — and ultimately fell in love with. It’s this extra step that arguably differenti­ates the new age of branding, marketing and advertisin­g from the old one.

Today, armed with $239.7 million in funding and backing by Target Corp., Casper’s strategy extends into everything from mass-transit ads to packaging.

And in true millennial fashion, the campaign includes a chatbot for insomniacs and a nap store. Los Angeles-based Figs, which exceeded $100 million in revenue last year, said it’s the first company to try branding the previously indistinct, $60-billion medical apparel industry. And it’s gone all in, incorporat­ing customers into every part of its image, an effort to create a “truly 360 brand experience” for its target audience, co-chief executive and cofounder Heather Hasson said.

She’s enlisted medical profession­als and students as models, and its Instagram page boasts photos taken by people posing in their form-fitting scrubs.

Figs “talks to (its) customers on a regular basis, checks in with them on social media and gets quick, direct feedback, knowing exactly what healthcare profession­als are looking for,” said Nabeela Khan Patail, a physician based in Manhattan.

In November, the retailer even partnered with yoga-apparel retailer Lululemon Athletica to host 40 “awesome humans” — what it calls its core customers of doctors, nurses, dentists — at a weeklong yoga retreat in Malibu, Calif. Patail, 29, was one of the attendees.

“Experienci­ng the retreat made me realize the company truly cared about our well-being and their support isn’t just tied to sales of their scrubs,” she said. Would you trust a company enough to straighten your teeth through the mail? Apparently, many do. Smile-Direct-Club in the U.S. is maybe on the cutting edge of this new branding strategy.

Down to the purple packaging that says “Let’s get this party started,” Gin Lane’s Shine said he wanted to change how adults feel about wearing braces (the company first had to overcome skeptical orthodonti­sts).

“When you get the box in the mail, you shouldn’t feel like you have to hide it,” he said. “Let’s open it like it’s a really nice pair of Jordan sneakers and show it online and show everyone how excited you are about what you are doing.”

Instagram and Twitter have been flooded with adults sharing their crooked-to-perfect transition­s, spurring hundreds of real-time comments the company pumps back into its advertisin­g. “Branding is a two-way street,” Smile-Direct-Club chief global brand officer Josh Chapman said.

“It’s something that we hear and then adjust.”

The company was recently valued at $3.2 billion.

The speed of consumer decision-making demands a robust digital presence, especially if you’re going to command the attention of millennial­s and Generation Z, who already expect friction-free shopping in the palm of their hands.

“This is the playbook for the future.” EMMETT SHINE GIN LANE CO-FOUNDER

 ?? CASPER ?? The ad strategy of online mattress startup Casper extends everywhere. In true millennial fashion, the campaign includes a chatbot for insomniacs and a nap store.
CASPER The ad strategy of online mattress startup Casper extends everywhere. In true millennial fashion, the campaign includes a chatbot for insomniacs and a nap store.
 ?? COLE BURSTON THE CANADIAN PRESS FILE PHOTO ?? Eyewear maker Warby Parker is one of the many “direct-to-consumer” brands that were largely born on the internet. Such retailers have given a new meaning to the phrase “brand affinity.”
COLE BURSTON THE CANADIAN PRESS FILE PHOTO Eyewear maker Warby Parker is one of the many “direct-to-consumer” brands that were largely born on the internet. Such retailers have given a new meaning to the phrase “brand affinity.”

Newspapers in English

Newspapers from Canada