Toronto Star

Museums embrace techniques of art therapy

Scientific research suggests art can improve moods and reduce pain

- ZACHARY SMALL

When the instructor asked him to describe his life in two words, Walter Enriquez chose carefully: fear and violence. He had spent decades as a police officer in Peru during the bloodiest days of armed conflict between government forces and guerrilla fighters that killed nearly 70,000 people. But he said that nothing could have prepared him for the extreme isolation and loneliness that come with quarantine. Having lost a handful of his friends and neighbours to the coronaviru­s pandemic, the 75-year-old retiree has turned toward art therapy programs offered by the Queens Museum in New York to improve his mental health.

“We cannot go outside and enjoy our lives like before,” Enriquez said in Spanish, translated by his daughter. “But art helps us capture the past and relive positive experience­s to get through pain and sadness.”

Every Thursday, he waits patiently at the computer for class to begin. For 30 minutes, he fidgets with the coloured pencils, pens and papers at the desk inside his daughter’s apartment in Queens. And with those tools he creates scenes from his life based on prompts from his instructor: portraits of his mother and friends; images of Goyaesque, nightmaris­h demons representi­ng disease that when rendered on paper feel less threatenin­g.

Participan­ts share their creations through Zoom, using their drawings and poetry (also part of the classes) to discuss life before and after the pandemic. Like thousands of other older New Yorkers, Enriquez has recently learned to use the internet to connect with the outside world. La Ventanita, one of the museum’s initiative­s in response to the coronaviru­s pandemic, provides him a chance to socialize with other Spanish speakers through guided art lessons about self-expression.

“Before the program, I felt very alone; now I can learn to produce art,” he said, adding that the program has revived his childhood aspiration of becoming a poet through the weekly prompts that ask him to create poetry based on his youth.

Although psychologi­sts have long recognized the benefits of art therapy, which decades of scientific research suggests can improve moods and reduce pain, few American museums have devoted resources toward creating programs. But the demands of a grief-stricken public are now compelling cultural institutio­ns around the country to create trauma-aware initiative­s that put their art collection­s and educators at the forefront of a mental-health crisis created by the pandemic and the worldwide protests over police brutality and racism after George Floyd’s killing.

And faced with plummeting revenue projection­s, industry leaders say they wouldn’t be surprised if museums turned toward art therapy for a new source of revenue or other funding opportunit­ies.

“Art therapy is typically funded by insurers,” said Dina Schapiro, assistant chairperso­n for the Pratt Institute’s Creative Arts Therapy Department. “You already have patrons coming into museums and paying a fee. It would be especially good for people who are resistant to the traditiona­l venues of therapy like an office.”

Although it doesn’t plan to charge for such programs, the Metropolit­an Museum of Art is looking to start art-therapy based initiative­s. “We are adjusting to a new reality and looking into how we can use art history to reflect on shared experience­s of isolation and trauma,” said Rebecca McGinnis, the museum’s senior managing educator for accessibil­ity.

The Met plans to reopen as a safe space for New Yorkers in much the same way it did after the Sept. 11 terrorist attacks. Curators are beginning to think about how exhibition­s can be designed as trauma-aware to avoid triggering visitors. McGinnis has also prepared a running list of artworks that can help visitors soothe their post-COVID anxieties, including scenes of domestic tranquilit­y like Honoré Daumier’s “The Laundress” (1863), depictions of resilience like Faith Ringgold’s “Street Story Quilt” (1985), and memorials to the dead like a fifth-century B.C. Greek grave stela of a little girl.

And in May, the museum revamped a teen event to focus on self-care and communicat­ion during the coronaviru­s crisis. Organized with the Bronx Museum and the Museum of Chinese in America, participan­ts discussed the effects of the pandemic through writing prompts, dance workshops and zine-making.

“Art has a therapeuti­c impact for everybody,” McGinnis said. “People will be coming to us after experienci­ng loss; some for whom the disease has permanentl­y impacted their bodies. How can we continue to reflect all those human experience­s?”

At the Rubin Museum of Art, employees have started to ask similar questions of their own collection of Tibetan and Nepalese objects perfectly suited for the art of self-contemplat­ion. For now, the museum plans to restart its meditation podcast and gear some of its learning programs to those affected by COVID-19 with pensive artworks like a13th-century gilded statue of the Hindu goddess Durga or a 16th-century cloth painting of the Buddha meditating as demonic hordes assail him from below.

That museums are taking art therapy more seriously than ever is due in large part to a program at the Montreal Museum of Fine Arts that allows physicians to prescribe free access to its galleries. The museum was also one of the first in North America to hire a full-time art therapist in 2017.

Stephen Legari, who took the job, normally sees about 1,200 participan­ts each year, but demands for his services have increased as Montreal reopens.

“In quarantine, you’re looking at the same things in your apartment every day,” he explained. “The repetition is grinding down your capacity to concentrat­e. By contrast, museums are places for wonderment, beauty and awe.”

Katerine Caron joined the art therapy program about three years ago. For much of her life, the 52-year-old writer has dealt with neurologic­al damage and severe trauma after being hit by a speeding car while walking her children across the street.

“I hadn’t created art since I was a child,” Caron said, “but art therapy has helped me externaliz­e what I’m feeling and express my gratitude for life.”

 ??  ?? The Met has a list of art that can help visitors soothe their anxieties, including scenes of tranquilit­y like Honoré Daumier’s “The Laundress.”
The Met has a list of art that can help visitors soothe their anxieties, including scenes of tranquilit­y like Honoré Daumier’s “The Laundress.”

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