Toronto Star

Letting imaginatio­n go to your head

Hair tattooing reimagines minimalist buzz cut for individual­ized expression

- CASSIDY GEORGE

Salons in Los Angeles County have been closed to the public since Dec. 3, but for social-media-savvy stylists like Amanda Lyberger, a colourist known for her eye-catching rainbow looks, the show must go on.

In Thair Salon, her otherwise abandoned place of employment in the warehouse district of downtown Los Angeles, Lyberger, 28, recently gave her girlfriend, a tattoo artist named Blue Poulin, 22, a “hair tattoo.”

Over three hours, Lyberger used hair dye to paint a colourful graphic (inspired by a pair of patterned pants from “The Fresh Prince of Bel-Air”) onto Poulin’s bleached buzz cut as if it were a canvas. After a wash, she used a pair of clippers to outline and enhance the geometric shapes she created, allowing Poulin to “wear” a retro print on her head.

The painstakin­g art of hair tattooing is one of impermanen­ce. In just a week, the hair will grow and blur the design, and in four weeks, the blue, pink and yellow dye will have faded.

Poulin spent her hours in the chair documentin­g the transforma­tion for TikTok, where the video Lyberger shared has already been watched 140,000 times.

The video, unlike the style itself, has no expiration date. In the digital realm, tattoo content has gone viral during the pandemic, a period defined by limited access to salons and stylists. Internet enthusiasm for these styles caused a spike in demand in Los Angeles, a city filled with entertaine­rs and influencer­s in search of the spotlight.

Reina DeMoss, a colourist who specialize­s in punk hair, thinks of hair tattooing as an “internet age” update to a staple subcultura­l hairstyle. It harks back to the British and American punk styles of the late 1970s and early ’80s, when extreme beauty practices flourished in the wake of economic devastatio­n and national unrest.

“The buzz cut is a form of rebellion and of disconnect­ing yourself from politics, society or your 9-to-5 job,” DeMoss said. “Walking around with a nearly bald head is a statement, but adding in art, technique and meaning elevates it to another level entirely.” With vivid dyes and clipper carvings, hair tattooing reimagines the minimalist, authoritar­ian buzz cut as a canvas for maximal adornment and individual­ized expression.

“Coronaviru­s put a lid on all of us,” said Janine Ker, a self-described “artist who does hair.” “It just makes you want to explode and change and get out!” Ker is best known for creating the rainbow leopard hair tattoo that Latin pop star J. Balvin wore at his 2019 Coachella performanc­e.

A pioneer of the trend, Ker has been sharing photograph­s of her multi-layered styles, which combine complex hair sculpting techniques with up to three layers of dye and processing, since 2016.

“I wanted to overcome the limitation­s of hair as a medium and create something that would really shock people,” she said.

Ker said it took years before her alternativ­e beauty looks captured the attention of a more mainstream audience. She shared a theory about their popularity during the pandemic: “Hair is the only thing we have control over right now. You look in the mirror and see that you’ve changed something or made a difference in your life.”

Paris Helena, a 26-year-old beauty photograph­er who described the buzz cut as a form of “hair liberation,” was eager to take the classic quarantine cut into a more artistic realm and reached out to Jordan Paige, a stylist and friend who also owns Thair Salon. The result was a series of hair tattoos inspired by famous paintings, like Van Gogh’s “Starry Night” and Monet’s “Water Lilies.”

She captured the styles in a series of self-portraits and said hair tattooing provided a vital creative outlet and incited human connection while in isolation. “It was a way for me to spark a conversati­on with somebody random on the street, from six feet away,” Helena said.

Reactions from strangers were overwhelmi­ngly positive, perhaps because, she said, “we see less of everything nowadays, including faces and people, which makes us appreciate the little things more.”

Punk-inspired hairstyles weren’t always so well received. Stylist Kimberly Ibbotson, 27, who specialize­s in vivid colour, recalls being bullied in her teenage years for her embrace of untraditio­nal hues. Tolerance of alternativ­e beauty practices like hair tattooing, Ibbotson said, is much higher now.

“I feel like a lot of people were hesitant to take risks because of what other people might think,” she said. But these days, vivid hair colour is “universall­y accepted,” she said. “People today are so much more themselves.”

Attitudes toward men’s grooming have also shifted significan­tly, spawning a growing population of men who are interested in more androgynou­s or experiment­al styles, like hair tattooing.

“Barbers are getting into it because they see the potential in it not only as a creative outlet, but as a financial opportunit­y,” Ibbotson said.

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 ?? THE NEW YORK TIMES PHOTOS ?? The painstakin­g art of hair tattooing is one of impermanen­ce. In a week, the hair will grow and blur the design and, in four weeks, the dye will have faded. But it makes a statement while it lasts.
THE NEW YORK TIMES PHOTOS The painstakin­g art of hair tattooing is one of impermanen­ce. In a week, the hair will grow and blur the design and, in four weeks, the dye will have faded. But it makes a statement while it lasts.

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