Vancouver Magazine

INTO THE WOODS

A North Vancouver family’s adventures in West Coast modernism.

- Julia Dilworth by Carlo Ricci photograph­s by

When film setdecorat­or Hamish Purdy bought his “tree fort in the woods,” he was 29 and in a bit over his head—“It was probably more than I could afford,” he says—but it just felt like home right away.

“It’s kind of ridiculous now that I’m married and we have three kids,” says Purdy of the splitlevel West Coast modern home that sits perched above Mission Creek in North Vancouver. “I don’t think it was ever really designed for that.” Built in 1972 by architects Barry Griblin and Robert Hassell, the homeseemed made for atime before people had a lot of stuff. With the couple’s 15-year-old son and twin 10-year-olds, it’s been a challenge finding space for the ski clothes, helmets, old art and other knickknack­s that accumulate around family life.

“Through the years I’ve sort of cursed Barry and the whole West Coast modern movement because of its shortcomin­gs,” laughs Purdy over the lack of closet space and the drafty louvred glass and single-paned windows. But in the plus column: an open plan tailored to the view. “The whole south side of the house is almost all glass, so it feels like I’m sitting in the forest,” he says. Cheaply built but beautifull­y designed, with its smell of rough cedar inside and out, and the constant rush of the creek just outside the home, the house scores a few more points for the West Coast modernists.

Despite his exposure to a lot of set props and decor at work (his past films include The Revenant, the latest Predator and now an “untitled Robert Zemeckis project”), Purdy has designed his home to be surprising­ly spare. “The expression I like to say is, ‘The cobbler’s children have no shoes,’” jokes Purdy. Inside you’ll find a few keepsakes, a wall of the kids’ art, but not a lot of attention paid to furnishing­s. “I try to reduce the amount of stuff in my life, because I’m adecorator,” he says. “Ironically, the house never looked better than when it was completely empty. Nothing looks better than looking out a plain window to the forest.”

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