Mellencamp releases age-appropriate album
NEW YORK — John Mellencamp feels he has some impressive co-writers for his latest songs, like playwright Tennessee Williams and folk legend Pete Seeger.
That they’re both dead doesn’t really matter. Mellencamp believes in channelling, that other voices speak through him when he’s writing music. And, yes, he realizes that sounds weird to outsiders.
“A lot of people call it inspiration,” he said. “As long as you identify it as inspiration, then you’re still trying to control it — ‘I’m inspired to do this, but I’m going to do this.’ ”
His 22nd album is accurately described by the title Plain Spoken, released last week. It contains 10 literate, acoustic-based songs on religion, redemption, mature love and self-reflection, with humour thrown in. Call it age-appropriate music from a 62-year-old former rock star who now scoffs that rock is dead.
A Rolling Stone online article about Mellencamp one time was headlined: “He had one of the greatest careers in pop and rock and hated every minute of it.”
Not quite true, Mellencamp said. He didn’t like stardom, chafed at record company pressure and saw hits as the quickest way to make his mark in a competitive industry. He had plenty: Jack and Diane, Hurts So Good, Paper in Fire, R.O.C.K. in the U.S.A., Pink Houses — the list goes on.
The goal for Plain Spoken, executive produced by T Bone Burnett, was to let the songs and melodies speak for themselves.
“I will rearrange all of the old songs and they will sound like they came off this record,” said Mellencamp, who will tour for much of next year. “You’ll recognize the songs, of course, but it won’t be the arrangement that you’re familiar with. It will become a whole new song.”
Fans of roots-based music should appreciate the disc, said Jed Hilly, executive director of the Americana Music Association. Mellencamp already owns a lifetime achievement award from the organization.
“It’s not filled with the pop hooks that the Jack and Diane era are famous for,” Hilly said. “But it’s a very thoughtful record.”
Mellencamp’s recent comments about his need to make age- appropriate music are certain to rub some peers the wrong way.
An example of how he talks to his peers is the song The Isolation of Mister, about a headstrong man who got it all wrong when he was younger. Autobiography? To an extent, but Mellencamp said many can relate.
“I think that a lot of men when they reach a certain age, they realize what they’ve done and what their regrets are,” he said.