Vancouver Sun

Brothers who found Eminem are taking part of his music public

Royalty Flow to buy up to 25% of stake in catalogue, plans to sell stock

- LUCAS SHAW Bloomberg

Compact discs were replacing records when Jeff and Mark Bass took a chance on a young white rapper named Marshall Mathers. Eminem, as he’s known, blossomed into one of the world’s most popular musicians.

Now the brothers, who still own part of Eminem’s catalog, want to cash in. They’ve agreed to sell up to 25 per cent of their interest to Royalty Flow, which will buy the stake with money raised in what’s called a mini-initial public offering, company executives said. They had planned to file Monday with the Securities and Exchange Commission to sell shares to the public in a Regulatory A+ offering and will ultimately seek an exchange listing.

Music fans and investors have little opportunit­y to invest directly in the music business, where the biggest players are closely held or parts of larger corporatio­ns. Thanks to a 2012 law that made it easier for small businesses to raise money, investors who believe the growth in streaming will make Eminem’s catalog more valuable will be able to buy a slice. Spotify will be another opportunit­y, when it goes public.

“If you’re a fan and wanna bet on that artist, you’ve got some skin in the game,” said Joel Martin, a business partner of the Bass brothers. “It takes the average investor and puts them in a position they wouldn’t be in before.”

Royalty Flow is looking to raise US$11 million to US$50 million, founder Matt Smith and chief financial officer Jeff Schneider said in an interview. The Bass brothers agreed to sell 15 per cent of their interest and are in line to get the first US$9.75 million from the stock sale, or US$18.8 million if they commit to selling 25 per cent. Any additional capital will go to the Denver-based company to buy more music rights and, eventually, pay dividends.

Smith comes to the deal through his 2015 purchase of Royalty Exchange, which has held about 180 auctions of music rights. Smith saw an opportunit­y to sell music to a wide swath of investors after then-president Barack Obama signed the Jumpstart Our Business Startups Act in 2012 to help small companies raise money. So he created Royalty Flow.

A Tier 2 Regulation A+ offering, such as Royalty Flow’s, is like crowdfundi­ng in that it lets nonaccredi­ted investors buy a stake in a company with certain limitation­s. It’s seen as a potential onramp to the traditiona­l IPO, but shareholde­rs have no guarantee there will ever be a market to trade the stock. The company must file offering documents and audited financial statements with the Securities and Exchange Commission.

A song can have many owners — from writers and performers to record labels and music publishers — with each entitled to revenue it produces. Smith pitches Royalty Flow as a way for average investors

(Buying a slice of Eminem’s catalogue) takes the average investor and puts them in a position they wouldn’t be in before.

to take part in the gold rush from streaming.

For the brothers, the deal lets them partly exit an investment that didn’t look so great 25 years ago when they started working with Eminem. But they signed Mathers to a contract with FBT Production­s and put out his debut record Infinite.

“It sold about 30 copies,” Martin recalled. Upset, Mathers returned with an alter ego: Slim Shady. FBT sold thousands of The Slim Shady EP, which eventually landed in the hands of mega-producer Dr. Dre.

While Dre receives most of the credit for turning Mathers into Eminem, the Bass brothers produced many early hits, including a dozen tracks off The Slim Shady LP, as well as Lose Yourself, the hit song from the biopic 8 Mile.Earnings from the brothers’ Eminem holdings grew 43 per cent to US$5.07 million last year, according to Royalty Flow. The artist had reportedly sold more than 44.9 million albums as of 2014.

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