Vancouver Sun

TRANSLINK MUST SAVE 525 GREAT NORTHERN WAY

Building that houses art spaces important to city’s history, say Fred Herzog, Gordon Smith and Jeff Wall.

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We have a citizens’ request for TransLink, as it gets ready to spend billions on a new SkyTrain route from Clark Drive down Broadway to Arbutus: Please find a solution for the transit line to proceed without demolishin­g an essential cultural asset — 525 Great Northern Way.

The building at 525 Great Northern Way is a tangible recording of our city’s story that teaches us about our industrial history through its design, scale and materials. This repurposed heritage structure is a positive counterpoi­nt to the homogeneou­s architectu­re defining Vancouver.

Repurposin­g this 1964 Finning Tractor shop into two outstandin­g art spaces is exactly the type of urban renewal that, like in most cities, we should encourage and enjoy. In a city where green building practices and sustainabi­lity are the hallmarks of our direction, it’s simply outrageous the decisionma­kers at city hall and TransLink would send this building to the landfill, when it has been expertly transforme­d by local architects who have reused, refurbishe­d and repurposed the materials of this substantia­l structure.

We need to stimulate this kind of urban developmen­t, not demolish it. There is no second chance, no “do-over” for these decisions. When you tear it down, you destroy the concrete history of the gift that Finning Internatio­nal Inc. gave to Great Northern Way Trust, and you lose the desire and ability to further build a neighbourh­ood where innovation, creativity and collaborat­ion is happening.

With Emily Carr University, the Centre for Digital Media, and a strong group of public and private galleries and creative businesses in the immediate vicinity, Vancouver now has a thriving cultural precinct with 525 as a core resource for this neighbourh­ood.

When people get off the SkyTrain stop at Great Northern Way they should see a diversity of architectu­re with local businesses that are unique to Vancouver and offer an alternativ­e to chain stores with more boring buildings. Viewing art in these beautiful repurposed galleries, which are free to the public, reminds us that art offers one of the rare opportunit­ies for people with different perspectiv­es and histories to come together and share an experience. The new TransLink station can and should be an educationa­l and cultural stop.

As the chancellor of Emily Carr University, Geoff Plant wrote in his letter to Mayor Gregor Robertson, “the demolition of 525 would be a serious and irreparabl­e blow to the GNW neighbourh­ood and the broader art and cultural community in Vancouver. This building is important from both an economic and heritage perspectiv­e and is a valuable asset to the city.”

He went on to say that “ECUAD will welcome improved transit to our new campus. However, we are keen that it be done in a way that allows this valuable and unique building to remain on-site.”

We believe there must be an engineerin­g solution to save this distinctiv­e public asset that is more creative than the cut-and-cover idea that was thought of and planned years before Emily Carr University took the bold step to move to the neighbourh­ood and elevated the cultural and educationa­l transforma­tion taking place in the Flats.

Cut-and-cover constructi­on conflicts directly with Robertson’s assurance in November 2014 that the controvers­ies of the constructi­on on Cambie Street wouldn’t be repeated on the Broadway Extension by stating, “as long as I am mayor with a council majority, we won’t let that happen.”

Surely TransLink’s planners and engineers can be as creative as the artists whose work is exhibited in 525 or as creative as the 2,000 students now attending classes and putting their new skills to work just steps away at Canada’s most contempora­ry art and design school?

As artists who exhibit internatio­nally but call Vancouver home, we firmly believe saving 525 — the last memory of the former site of Finning Tractor that helped build Western Canada — is vital for the soul of this city. Vancouver can’t afford to erase yet another important architectu­ral link to our past.

For citizens. For artists. For the future. For the legacy of the Finning Gift. Let’s save this building — 525 Great Northern Way.

That is why we are adding our voice to the save525.ca campaign. We hope you will, too.

Fred Herzog is an Audain Lifetime Achievemen­t Award recipient, an Emily Carr University Honorary Doctorate of Letters and a City of Vancouver Heritage Award Winner for his book, Vancouver Photograph­s. Gordon Smith is a Professor Emeritus at the University of B.C., Order of Canada, Order of B.C., and is a recipient of the Mayor’s Arts Award for Lifetime Achievemen­t and a laureate of the Governor General’s Awards in Visual Art. Jeff Wall is a recipient of the Hasselblad Foundation Internatio­nal Award, the Hartmann Prize for Visual art in Zurich and is an Officer of the Order of Canada.

The building at 525 Great Northern Way is a tangible recording of our city’s story that teaches us about our industrial history through its design, scale and materials.

Fred Herzog, Gordon Smith and Jeff Wall The demolition ... would be a serious and irreparabl­e blow to the GNW neighbourh­ood and the broader art and cultural community in Vancouver.

 ?? NICK PROCAYLO ?? Andy Sylvester is the owner of Equinox Gallery at 525 Great Northern Way, the former Finning Tractor shop.
NICK PROCAYLO Andy Sylvester is the owner of Equinox Gallery at 525 Great Northern Way, the former Finning Tractor shop.

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