Vancouver Sun

SIGHTSEEIN­G SKILLS FOR THE ANCIENT WORLD

Research and extra resources will help bring your tour of historical sites alive

- RICK STEVES Rick Steves (ricksteves.com) writes European travel guidebooks and hosts travel shows on public television and public radio. rick@ricksteves.com

Whether climbing the Acropolis, communing with the druids at Stonehenge, or marvelling at the sprawling remains of Pompeii, exploring the remnants of Europe’s distant past brings a special thrill to travellers with the interest to resurrect all that rubble.

I had such a thrill recently in Epidavros, where I visited the finest and best preserved of Greece’s many ancient theatres. With my travel partner sitting on the top row of the stony grandstand­s, I stood alone in the centre of the stage and, with a clap of my hands, demonstrat­ed its 2,400-year-old acoustics. The theatre here is part of a larger “sanctuary” — something of a luxury spa for people in need of a cure — complete with temples, baths, and a beautiful theatre. It’s in such good shape that the theatre is still used for performanc­es today.

The grandeur of a well-preserved monument like the Epidavros theatre is easy enough to appreciate even if it’s been a while since your last history class. But most ancient sites are more ruined, and therefore harder to imagine in their prime. The Roman Forum is a good example. Knowing it was important — the common ground between the fabled seven hills of ancient Rome — doesn’t necessaril­y make it interestin­g. That’s especially true given that today what’s left is little more than foundation stones and a few broken columns.

The challenge is to envision the Forum in its day.

Stand along the Via Sacra — the Sacred Way — on the same stones the masses did as Rome’s military victors paraded by, displaying their booty and plunder. Imagine spitting into the cage of a barbarian king as it jostles by.

Squinting into the sun, you can make out the carvings on the top of a towering triumphal arch, a reminder that your emperor is a god on Earth and you are lucky to be his subject. In the here and now it’s hot and it’s dusty, and there are sweaty tour groups all around you. But if you can imagine the ancient stones supporting ancient life, it’s an unforgetta­ble experience and a trip highlight.

In my student days, I bummed through Greece’s Parthenon surrounded by people looking like they were having a good time, and I was convinced they were faking it. Two years later, after a class in ancient art history, I understood how Greek society was designed. I could imagine Pericles, the ultimate Athenian statesman, hard at work. I could see Socrates, enjoying the shade of the colonnade. And I could fill the now-empty niches with brightly painted statues of Greek gods and goddesses. Clearly, there are two kinds of sightseers: those who know what they’re looking at, and those who don’t.

But you don’t have to go back to school to have a rich experience at an ancient site.

There’s plenty of informatio­n available for people who bring only a healthy dose of curiosity to the ancient sites. Local souvenir books have side-by-side illustrati­ons of ancient sites that juxtapose their current look with how they would have appeared in their heyday, enabling you to imagine it filled with people. Most sites lend out audio guides that give you a fine self-guided tour ( just punch in the number you see as you wander to hear a narration about a particular work of art or structure). And private guides are almost always available.

Ahead of your visit, it can also be helpful to do a little homework: Do some reading or watch a movie or documentar­y to get background and insight into the ancient wonders you’ll be exploring.

Archeologi­cal areas are being excavated all the time. In fact, many of the sites you’ll see are only partly uncovered. And the finest of the discovered statues, mosaics, and frescoes are generally out of the weather and acidic air (and the reach of 21st-century vandals), and safely in state-of-the-art museums on site.

Be sure to approach an ancient site as a two-part experience: First tour the museum to see the treasures and get a context for the culture and life in that place and time. Then, with that new-found ability to understand what you’ll be seeing, venture out into the actual excavation site.

With more people touring Europe’s great ancient sites (including literally millions of sightseers on cruise-ship excursions), congestion has become a major concern. If online reservatio­ns in advance are recommende­d, consider them required. Any time you can get a ticket with a timed entry, it’s smart to do so. Otherwise, going early or late is a good way to avoid the big tour groups that jam many ancient sites in the middle of the day (roughly between 10 a.m. and 4 p.m.).

Europe is better than ever at protecting and sharing its ancient patrimony. And if you approach its ancient wonders thoughtful­ly, you’ll bring home an appreciati­on of the artistic wonders of antiquity and lifelong memories.

If you approach Europe’s ancient wonders thoughtful­ly, you’ll bring home an appreciati­on of the artistic wonders of antiquity and lifelong memories. Rick Steves

 ?? DOMINIC ARIZONA BONUCCELLI ?? Hiring a knowledgea­ble guide to explain what you’re looking at is well worth the cost.
DOMINIC ARIZONA BONUCCELLI Hiring a knowledgea­ble guide to explain what you’re looking at is well worth the cost.
 ?? GENE OPENSHAW ?? To mentally reconstruc­t a ruined ancient site like Italy’s Ostia Antica, it pays to do homework.
GENE OPENSHAW To mentally reconstruc­t a ruined ancient site like Italy’s Ostia Antica, it pays to do homework.

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