Waterloo Region Record

World premieres, a ‘Chicago’ coup and a venue to unite acting greats

The Stratford Festival’s artistic director Antoni Cimolino discusses the theatre company’s historic 2020 season

- RYAN PORTER This content was funded but not approved by the advertiser.

A brand-new complex — the Tom Patterson Theatre — isn’t the only reason the Stratford Festival’s 2020 season feels so momentous. The 15 shows being staged include Colm Feore’s return to Shakespear­e in “Richard III,” Donna Feore’s new production of “Chicago” and world premiere work from Ann-Marie MacDonald, Morris Panych, Daniel MacIvor and Steven Page.

“Richard III” will open the new theatre, echoing the programmin­g for the festival’s inaugural season in 1953, when the titular role was played by Alec Guinness. “All’s Well That Ends Well” will also be revived from the festival’s first year for a season crafted by artistic director Antoni Cimolino as a study of power. With tickets now on sale, Cimolino pulls the stage curtain back for an early preview of a pivotal season in the theatre festival’s history.

Much Ado About Nothing

By William Shakespear­e Opens May 25

Festival Theatre

The popular comedy about the high-concept hurdles two couples overcome on the journey toward happily ever after stars festival favourites as the sparring lovers Beatrice and Benedick: Maev Beaty (“King Lear”) and Graham Abbey (“Coriolanus”), who previously co-starred in Molière’s “Tartuffe.” Meanwhile, their younger counterpar­ts Hero and Claudio will be played by a pair of fresh faces: Andrea Rankin, who, in her third season, also plays Ophelia in “Hamlet,” and Kaleb Alexander, making his festival debut.

Chicago

Book by Fred Ebb and Bob Fosse; lyrics by Fred Ebb; music by John Kander

Opens May 26

Festival Theatre

One of the top-selling tickets, the new production of “Chicago,” directed and choreograp­hed by the festival’s masterful Donna Feore, is the first to be staged outside of New York or London in 30 years. Staging the dastardly dames on the festival theatre’s thrust stage means there’s nowhere to hide, a challenge that gives audiences a unique viewpoint on the all-new choreograp­hy. “Everything becomes much more available, as if you’re in a nightclub,” Cimolino says.

Wendy & Peter Pan

Adapted by Ella Hickson from the book by J.M. Barrie Opens May 27

Avon Theatre

This new vision of the classic story commission­ed by the Royal Shakespear­e Company sees Neverland from Wendy’s point of view. Those who think they know the story will find surprises in this adaptation, which features a new younger brother for the Darling family. “If you don’t cry at the end of this, you don’t have a heart,” Cimolino warns with a chuckle.

Hamlet

By William Shakespear­e Opens May 28

Festival Theatre

The heart of Shakespear­e pounds in one of his most famous plays. For Cimolino, it speaks to the season’s theme of power. “People are really polarized and rallying behind different causes,” he says. “I wanted to look at the history of power in theatre and how power is gained. Is it through the truth or is it through making stories up that aren’t entirely true?”

Monty Python’s Spamalot

Book and Lyrics by Eric Idle; music by John Du Prez and Eric Idle

Opens May 29

Avon Theatre

The musical spoof on Arthurian legends based in part on the 1975 comedy “Monty Python and the Holy Grail” stars Jonathan Goad as King Arthur. Cimolino notes that Goad was the last actor to play Hamlet at Stratford. “You get to see these works of art that at times can be irreverent and downright silly and delicious, but they’re being done by people of extraordin­ary calibre,” he says.

Richard III

By William Shakespear­e

Opens May 30

Tom Patterson Theatre

Before tickets went on sale to the general public Jan. 3, demand was already so strong to see Colm Feore (“House of Cards”) return to Stratford as the ruthless king that the festival decided to add additional dates. Part of the appeal is surely seeing Feore re-team with Cimolino as director to devour a Shakespear­ean role after his explosive turn as King Lear in 2014. But this cast is stacked with festival greats eager to break in the new stage at the Tom Patterson, including Seana McKenna, Martha Henry and Lucy Peacock. “Everybody wanted to be part of that company,” Cimolino says.

All’s Well That Ends Well

By William Shakespear­e Opens June 11

Tom Patterson Theatre

This year will mark Seana McKenna’s 28th season with the Stratford company. Last year, she took a year off after her commanding performanc­e as Julius Caesar in 2018, but she returns to christen the Tom Patterson, both in “Richard III” and a new production of “All’s Well” as the Countess of Rossillion.

Three Tall Women

By Edward Albee

Opens June 12

Studio Theatre

Edward Albee’s 1991 drama about three women — one in her 90s, one in her 50s and one in her 20s — stars festival aristocrac­y Martha Henry and Lucy Peacock alongside rising company players Mamie Zwettler and Andrew Iles. Additional shows were added after strong ticket pre-sales.

Here’s What It Takes

Music and Lyrics by Steven Page; book by Daniel MacIvor; additional music and lyrics by Craig Northey

Opens June 30

Tom Patterson Theatre

The world-premiere musical about the dynamics in a band sounds like the best of Steven Page’s Barenaked Ladies songs: funny and emotional. “He’s drawing on his own experience, but it’s not autobiogra­phical,” Cimolino says. “And the songs have so many earworms.”

An Undiscover­ed Shakespear­e

By Rebecca Northan, with Bruce Horak and Kevin Kruchkywic­h

Opens July 13

Tom Patterson Theatre

This production, improvised at every performanc­e based on an audience member’s love story, will christen the new 200seat cabaret space Lazaridis Hall.

In the first half-hour, an actor in the guise of William Shakespear­e conducts the how-we-fell-in-love interview. After an intermissi­on, the company acts out the story (in iambic pentameter, no less).

“It’s not only funny and entertaini­ng, it’s also at times very moving,” Cimolino says.

Wolf Hall

Adapted by Mike Poulton from the book by Hilary Mantel Opens Aug. 13

Avon Theatre

The rags-to-riches rise of Thomas Cromwell (Geriant Wyn Davies, who also co-directs with ted witzel), adviser to King Henry VIII (“Coriolanus” star André Sills), is a master class in political machinatio­ns.

The Rez Sisters

By Tomson Highway Opens Aug. 14

Studio Theatre

Tomson Highway’s 1986 classic about seven women plotting to win “the biggest bingo in the world” will be animated by a contempora­ry spirit under the directoria­l eye of Jessica Carmichael. “The events that have happened since the writing of this play will very much be part of their interpreta­tion of the work,” says Cimolino, who says Highway himself will be involved with the production. Still, he doesn’t expect much variation from the original text. “New plays capture the pulse of now, but classic plays remind us that we’ve done this before,” he says. “They underline eternal truths.”

Hamlet-911

By Ann-Marie MacDonald Opens Aug. 19

Studio Theatre

Playwright and novelist AnnMarie MacDonald has penned a postmodern riff on Hamlet that follows an actor cast as the Danish prince who is unable to take the stage. His story is twinned with a teenager online questionin­g “to be or not to be?” in this world premiere. “What Ann-Marie has done so brilliantl­y is taken the various themes and ideas that are in ‘Hamlet’ and explored them in a beautifull­y funny and also very compelling way,” Cimolino says.

The Miser

By Molière, in a new version by Ranjit Bolt

Opens Aug. 19

Festival Theatre

Opening late this summer, the comedy about siblings who fear losing their inheritanc­e will star Colm Feore in the title role and will be directed by the festival’s artistic director, Antoni Cimolino himself.

Frankenste­in Revived

Written and directed by Morris Panych; music by David Coulter

Opens Aug. 20

Tom Patterson Theatre

This world premiere from playwright Morris Panych, who premiered a dance-driven adaptation of “Moby Dick” at Stratford in 2008, draws on Mary Shelley’s classic monster tale for a reimagined work of theatre and dance. “His storytelli­ng is extraordin­ary,” Cimolino says.

“We’ve had a series of workshops on this piece over the last four years and I can’t wait to share it with people.”

Tickets and details are available at stratfordf­estival.ca.

 ?? DAVID COOPER PHOTOS CREATIVE DIRECTION BY PUNCH & JUDY INC. ?? “An Undiscover­ed Shakespear­e,” by Rebecca Northan, opens on July 13.
DAVID COOPER PHOTOS CREATIVE DIRECTION BY PUNCH & JUDY INC. “An Undiscover­ed Shakespear­e,” by Rebecca Northan, opens on July 13.
 ??  ?? Chelsea Preston stars in “Chicago,” directed by Donna Feore.
Chelsea Preston stars in “Chicago,” directed by Donna Feore.
 ??  ?? Colm Feore returns to Stratford for “Richard III.”
Colm Feore returns to Stratford for “Richard III.”

Newspapers in English

Newspapers from Canada