Windsor Star

Radcliffe perfectly cast in role of infiltrato­r

Imperium may be a little too tidy in parts but remains a highly effective drama

- CHRIS KNIGHT cknight@postmedia.com twitter.com/chrisknigh­tfilm

“Words build bridges into unexplored regions.”

It’s an inspiring quotation with which to open a film, but the sucker punch to the viewer comes a moment later, when the author is revealed: Adolf Hitler.

Just what kind of movie is this?

Turns out it’s a highly effective thriller in which a mild-mannered FBI agent must infiltrate a white supremacis­t group to prevent a domestic terrorist attack.

Daniel Radcliffe plays Agent Nate Foster, adding another notch to a career that in recent months has greatly expanded to include tech genius (Now You See Me 2), Igor (Victor Frankenste­in) and dead guy (Swiss Army Man).

We first meet Nate in an interrogat­ion room, where his empathy and knowledge of Arabic helps him draw out a suspect in a thwarted terror plot.

(It also raises issues of when encouragem­ent slides into abetment and then entrapment, a theme the film will revisit before it’s done.)

Nate’s people skills also attract the notice of Agent Angela Zamparo (Toni Collette), who wants him to get close to a white-power radio host who seems to know a bit too much about a recent theft of radioactiv­e material.

The film was co-written by director Daniel Ragussis with Michael German, a retired FBI agent whose experience­s informed the script.

But the restrictio­ns of moviemakin­g mean that Nate’s infiltrati­on and rise through the ranks of the white supremacis­ts happens a little too quickly and easily to be believable.

And for someone who admits he’s way out of his depth, the guy is cucumber-cool under pressure.

Even so, Imperium is a wellplotte­d piece of fiction with an ideal choice for villain; white supremacis­ts are more immediate and less campy (when played as recognizab­ly human, as by Tracy Letts, Chris Sullivan, Sam Trammell and others in this film), than the old standby of North Koreans.

There are a few drawbacks, such as an overly ominous score and a somewhat too-tidy final act, but they’re more than compensate­d for by Radcliffe’s performanc­e.

Watching Radcliffe’s character think his way out of tight corners — preventing an attack on an interracia­l couple without blowing his cover, for instance — is worth the price of admission to the movie.

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