Windsor Star

Taking flight with unique picture books

- BERNIE GOEDHART

Colette’s Lost Pet

Isabelle Arsenault Tundra Books Ages 4 to 8

The Fog

Kyo Maclear Illustrate­d by Kenard Pak Tundra Books Ages 4 to 8

Picture book illustrati­ons come in a wide variety of styles — everything from the broadly cartoonish to painterly oils, boldly graphic arts to delicate pencil or pen-and-ink drawings. Montreal artist Isabelle Arsenault falls into the latter category, having produced some singularly memorable children’s books that have won numerous prizes, including the Governor General’s Literary Award.

Colette’s Lost Pet, her latest publicatio­n, is bound to be another winner. Published by Tundra Books, it is both written and illustrate­d by Arsenault and set in the Mile End neighbourh­ood where she makes her home. Printed in subdued greys and sepia tones, with lemon yellow and sky blue providing occasional bits of accent colour, it adopts a multi-panel-per-page approach to depicting the story of Colette, a little girl who is told by an unseen parent that she can’t have a pet and should, instead, amuse herself by going out to explore her new neighbourh­ood. Angrily kicking one of the empty boxes in her backyard, she accidental­ly causes a bird to take flight. When she ventures out into the lane to find the bird, she encounters several other kids who ask what she’s doing. Thinking fast, Colette tells them she’s lost her pet — a parakeet — and they offer to help her look for it. As the story progresses, the parakeet acquires more detailed characteri­stics (“it’s blue / with a bit of yellow on its neck” and it speaks a bit “but only in French”) as well as a growing number of young searchers. By the time Colette is called home to dinner, it has become clear to all her new friends that she has totally embellishe­d the story about the bird — but they can’t wait to hear more, and make plans to get together again the next day. Proof positive that imaginatio­n and a good story can go a long way toward making friends.

Another recent Tundra publicatio­n, The Fog, by Toronto’s Kyo Maclear and illustrate­d by San Francisco’s Kenard Pak, features an equally distinctiv­e, subdued illustrati­on style, executed in pencil and watercolou­r plus digital media, and also focuses on an avian character. This one, however, is not imaginary. It’s a small yellow warbler that spends its time watching the tourists who flock to his home island, covered with ice. In a reversal of the more traditiona­l human habit of birdwatchi­ng, our little feathered friend takes note of such creatures as the “behatted bibliophil­ic female” and “baldheaded glitzy male” by peering through his telescope and binoculars — until the day a fog sets in over the island.

Alarmed at his inability to make out colours and humans, Warble approaches other birds to see if they, too, are worried, but they are largely apathetic and soon forget there was ever a time before the fog.

No one shares his concern, until he encounters a little girl who helps him get an answer to his question — and to revel in the beauty of the island and its surroundin­gs when the fog finally lifts.

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