Windsor Star

THE MAN BEHIND THE MASKS

New documentar­y profiles the late Indigenous activist and art ‘treasure’ Beau Dick

- VICTORIA AHEARN

Maker of Monsters: The Extraordin­ary Life of Beau Dick

Thursday, Sunday Cineplex theatres

See cineplex.com for locations To some, the late Indigenous artist and activist Beau Dick was “almost Christ-like.” Such is the descriptor offered in the new documentar­y Maker of Monsters: The Extraordin­ary Life of Beau Dick, which shows the Kwakwaka’wakw hereditary chief with the long, grey hair and flowing silver beard leading a group of protesters from the northern tip of Vancouver Island to advocate for Indigenous rights and environmen­tal issues.

The Alert Bay, B.C., native, who died a year ago, was also a generous mentor and staged traditiona­l copper-breaking ceremonies at legislatur­es to shame the government over its relationsh­ip with its Indigenous communitie­s.

His renowned masks have sold in internatio­nal galleries for tens of thousands of dollars and have increased “exponentia­lly” in value over the past year as the world catches on to his great legacy, say Natalie Boll and LaTiesha Ti’si’tla Fazakas, directors of the doc that screens Thursday and Sunday in Cineplex Odeon theatres in 11 Canadian cities, and later online. “I’d known Beau since 2000 and I immediatel­y thought there was something special about him,” says Fazakas, who owns her own gallery in Vancouver and is a leading expert in Northwest Coast art. “But it seemed to me that he really lacked a champion. I was like ... ‘More and more people need to meet Beau, because I feel like we have this treasure here and I don’t think we all know it and we should.”’ The directors started working on the doc in 2012 after Fazakas invited Boll to her home to view one of Dick’s striking wooden masks in a bid to convince her to make the film with her. Dick’s works are known for evoking a strong reaction in viewers and that’s what happened to Boll when she walked down Fazakas’s hallway and saw the large piece depicting a mythic being known as a Wild Woman of the Woods. “I was emotional and it was very real and alive,” says Boll, who is a director at Vancouver’s Athene Films. “I’d just never had that kind of connection with art in that way.” The two finished the film just a few months before Dick died on March 27, 2017, at age 61 from complicati­ons of a stroke.

They captured the soft-spoken, self-professed workaholic in his workshop, at traditiona­l potlatch ceremonies that were once banned in Canada, and on his activism journeys.

“For me, coming from not an art background per se in the art world, meeting Beau for the first time was a very inspiring experience on a human level,” says Boll. “He had this amazing artistic ability and also an ability to connect to people in a different way and really mentor and inspire people.” The filmmakers say Dick liked to live his life off the grid and had a strong sense of humour and determinat­ion, even through addiction issues. They say Dick was also extremely generous, often giving money from sales of his masks to other artists and community members, and putting the spotlight on voices who need to be heard. “I don’t think Beau ever had more than a couple of bucks in his pocket because he constantly gave his money away,” says Fazakas. “He saw it as his chiefly duty to take care of others.” Interviewe­es in the documentar­y include environmen­talist David Suzuki and Dick’s daughters. The film touches on Indigenous history in Canada and how Dick’s masks are an important learning tool in an era of truth and reconcilia­tion.

 ?? THE CANADIAN PRESS ?? Artist Beau Dick made masks that have increased in value since his death last year.
THE CANADIAN PRESS Artist Beau Dick made masks that have increased in value since his death last year.

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