Windsor Star

NEW SMITHSONIA­N EXHIBIT LOOKS AT OPRAH

- SEBASTIAN SMEE

Oprah euphoria. You know it. You’ve felt it. You’ve studied the faces of those folks in the studio audience. It’s the ecstasy of anticipati­on.

Is she about to give me a new car? Will I also get to be a better me, have a better body, enjoy spicier conjugal relations? Be better read, happier, more productive and less crushed and deformed by my past? Oprah euphoria — that feeling you seek, with all your soul — is defined by the realizatio­n that the answers to these questions might actually be “yes.” Proof ? Here comes the new car! We’re all going on a trip to Australia, too? Those other items on your wish list may prove elusive. But Winfrey’s power to make at least some of them come true is a testament to that most fundamenta­l of American creeds: the possibilit­y of personal transforma­tion. Watching Oprah, a new exhibition at the Smithsonia­n’s National Museum of African-American History and Culture, also is a testament to Oprah and her extraordin­ary story. But also to the rest of us, black and white, American and otherwise. It’s a testament to our culture’s transforma­tion, to who we have become.

Is it strange that a woman who is the biggest single donor to this museum should be treated to an exhibition, and so soon after its opening ? You bet it is.

Yet it’s hard to argue that Winfrey is undeservin­g of such an exhibition. She had the highestrat­ed talk show of all time. It aired all over the world for 25 years. No African-American woman has had a bigger effect on the culture over the past 30 years.

Like few others, Winfrey has used her celebrity to do good. She got people reading again. She establishe­d a school in South Africa. She funded scholarshi­ps at historical­ly black universiti­es. She helped house people after hurricanes Katrina and Rita. Her donations come to more than US$400 million.

More than that, she’s encouraged people to think and care about important issues.

The exhibition has been nicely done. You walk from the first section, which evokes the America Oprah grew up in, her upbringing and her early career, into a mock- up of the Chicago set of The Oprah Winfrey Show, replete with couch, camera, production notes and green room. There follow displays about fashion and dieting, Oprah’s Book Club, her work with Hollywood, the Oprah Winfrey Network and her philanthro­py. The exhibition doesn’t ignore criticism she’s faced: for neglecting black issues on her show and privilegin­g the concerns of whites; for promoting unhealthfu­l diets; and of course, for “Oprahficat­ion,” which the Collins English Dictionary defines as “the perceived increase in people’s desire to discuss their personal problems, attributed to the influence of confession­al television programs.”

But inevitably, as the museum show shifts from examining how culture shaped Oprah to how Oprah shaped culture, it begins to feel like a triumphal march, a sort of biographic­al bubble bath. I predict there will be bottleneck­s around the screens. A Smithsonia­n display with judiciousl­y edited wall texts and interestin­g memorabili­a is well and good, but it can’t compare with watching Oprah in action. Should your view of the montage of clips from her show be temporaril­y blocked, use the time to scan the list of topics Winfrey covered over the show’s 4,561 episodes. It covers an entire wall.

Like many transcende­ntly famous people, Winfrey has the aura of a freshly hatched superhero. Her actual story is more incredible. She was born in rural Mississipp­i in 1954. Her ancestors were slaves, her grandparen­ts farmers. She was raped by a cousin at age nine, molested repeatedly, sent to a juvenile detention home at 13, made pregnant at 14. She gave birth to a premature baby who died. She would later speak forcefully about the long-term effects of trauma. Her honesty gave people around the world courage to speak up about similar experience­s, similar struggles. The #MeToo movement is hard to imagine without Winfrey’s precedent.

As a child, Winfrey spent more time in church than any place besides home. She read spirituals and sermons in front of rapt congregati­ons. She was a big reader. Growing up, she saw few black people on TV. Those she did see weren’t hosting prime-time shows on major networks. Winfrey built a career not just as a trailblaze­r in the fight for racial equality but also as one of the greatest TV personalit­ies in history, and as an entreprene­urial genius, to boot.

 ?? WALTER LARRIMORE/SMITHSONIA­N INSTITUTIO­N ?? Oprah Winfrey built a career as one of the greatest TV personalit­ies in history. The exhibition includes the red suit that she wore on her show during the famous car giveaway.
WALTER LARRIMORE/SMITHSONIA­N INSTITUTIO­N Oprah Winfrey built a career as one of the greatest TV personalit­ies in history. The exhibition includes the red suit that she wore on her show during the famous car giveaway.
 ?? MUSEUM OF AFRICAN-AMERICAN HISTORY AND CULTURE ?? Oprah Winfrey’s Daytime Emmy Award for The Oprah Winfrey Show, 1986-87.
MUSEUM OF AFRICAN-AMERICAN HISTORY AND CULTURE Oprah Winfrey’s Daytime Emmy Award for The Oprah Winfrey Show, 1986-87.

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