Windsor Star

Windsor internatio­nal film festival top picks

WIFF Picks: Day 5

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It’s time to enjoy the 14th edition of the Windsor Internatio­nal Film Festival, featuring more than 100 titles from around the world — all screening in downtown Windsor over seven days. With so many interestin­g films to choose from, we thought moviegoers could use some recommenda­tions on each day’s schedule — courtesy of WIFF executive director Vincent Georgie, Windsor Star reporter Dalson Chen, and Windsor Star marketing manager Dalia Mazhar.

HONOURABLE MENTION

The Guilty - 10:20 p.m., Chrysler Theatre

This nail-biting Danish thriller takes place in real time in a single shooting location: an emergency dispatcher’s radio room, where a former cop takes a call that’s more sinister than it seems.

VINCENT’S PICK

The Mark Boscariol 48 Hour Flick Fest - 7:45 p.m., Capitol Theatre They’ve had 48 hours to make their movies, now let’s see the results! WIFF’s annual contest challenges local videograph­ers to create a short film in just two days. Screenings will be followed by an outdoor party on the Pelissier Street parking garage. Named in honour of late Windsor business owner and community advocate Mark Boscariol — one of the founders of WIFF.

DALSON’S PICK

Free Solo - 10:30 p.m., Capitol Theatre

Free solo climbing: The most daunting of human climbing endeavours, done with no team, no ropes and no safety. Just a person hanging on a rock with his hands and feet. This stunning documentar­y follows Alex Honnold, one of the world’s foremost solo climbers, as he scales the 3,000-foot El Capitan in Yosemite National Park. See it on the big screen to appreciate the dizzying cinematogr­aphy.

DALIA’S PICK

Rafiki - 4 p.m., Capitol Theatre Originally banned in its native Kenya, this colourful film portrays a tender romance between two young women in a country where homosexual­ity is still illegal and punishable by imprisonme­nt. The movie was shot under scrutiny in the city of Nairobi, and the film’s director — Wanuri Kahiu — has said she was pressured to make the film less positive in its portrayal of samesex relations. She refused.

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