Windsor Star

THE GREATEST GIFTS

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Wondering what to give kids this coming holiday season? Take it from Bernie Goedhart: “‘Books,’ said Father Christmas, in a novel I received for review recently, ‘are the greatest gifts of all. Nothing comes close.’ I’d add the fact that they’re easy to wrap — and that they’re wonderful to share with youngsters, especially at bedtime.” Below are some titles worth considerin­g when you’re doing your holiday shopping:

The Very Hungry Caterpilla­r

Eric Carle

Philomel

Here’s a perfect example of a book with staying power. Published last month in a limited anniversar­y edition with a shiny metallic cover, the tale of a caterpilla­r eating its way through various fruits — and leaving holes just right for tiny fingers to explore — before turning into a stunning butterfly has entranced preschoole­rs for 50 years now. A note from the author/illustrato­r, who is approachin­g 90 himself, appears alongside the title page, and this anniversar­y edition also includes an afterword from Dolly Parton, who long ago included this title in her Imaginatio­n Library project, as well as four pages describing the book’s origins (it started out as a story titled A Week With Willi Worm). For ages 2 to 5.

The Log Driver’s Waltz

Wade Hemsworth

Illustrate­d by Jennifer Phelan

Simon & Schuster

Here is another classic — but it’s only now gaining life as a quintessen­tially Canadian picture book. It had its origins as a song written by the late Hemsworth, a folksinger, and gained a legion of fans when it was used in a 1979 animated short released by the National Film Board (directed and animated by John Weldon), with lyrics sung by Kate & Anna McGarrigle. This year’s picture book, gloriously illustrate­d by Toronto’s Jennifer Phelan, incorporat­es end papers that hint at its cinematic origins, and adults sharing this book with children would be wise to also dig up a video of the NFB film so kids can hear the tune and enjoy the animation. Sharp-eyed children will then be able to zero in on the concert T-shirt our heroine is wearing in one of Phelan’s watercolou­r pencil drawings. For all ages. Father Christmas and Me

Matt Haig

Illustrate­d by Chris Mould HarperColl­ins

This is the third instalment in a series that includes A Boy Called Christmas and The Girl Who Saved Christmas. With numerous black-and-white illustrati­ons, this volume tells the story of Amelia Wishart who, at 11, is rescued from a London workhouse and adopted by Father Christmas and his wife, and goes to live in Elfhelm, in the Far North. As a tall, gangly human, she towers over the elves and often feels she doesn’t belong. When she is targeted by Father Vodol, a truly nasty elf, she rises to the challenge and, with the help of the Truth Pixie, shows the elves who is truly responsibl­e for the problems in Elfhelm, saving Christmas in the process — again. Ages 7 to 11. Sweep: The Story of a Girl and Her Monster

Jonathan Auxier

Penguin Random House

This book won the Governor General’s Literary Award for text in young people’s literature this year. With Dickensian overtones, this story of 11-year-old Nan Sparrow and the chimney sweep who cared for her from the time she was a baby until he disappeare­d from her life when she was six, is set in 1875 London, England. Nan, along with boys as young as six, climb up chimneys too narrow for Wilkie Crudd, clean the flues and deliver sacks of soot to their master. It is hard work for hardly any pay. Nan, who is Crudd’s best climber, often dreams about her Sweep, treasuring the small bit of char he left her — a clump of soot with a glowing ember at its heart. When she almost dies in a chimney fire, that bit of char saves her, it having turned into Charlie, a golem with a body shaped from ashes and soot, whose task is to protect Nan. The adventures that follow make for a compelling read. Ages 8 to 88.

 ?? HARPER COLLINS ?? A young girl taken to Elfhelm in the Far North (seen here) must save Christmas in Matt Haig’s Father Christmas and Me.
HARPER COLLINS A young girl taken to Elfhelm in the Far North (seen here) must save Christmas in Matt Haig’s Father Christmas and Me.

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