ZOOMER Magazine

ROUSING SEND-OFF

AS 40-YEAR-OLD SOCCER STAR

- —Peter Muggeridge

Christine Sinclair (below) walked off the pitch for the final time of her glorious internatio­nal career in December, she received a thunderous ovation from a full house at Vancouver’s B.C. Place. That a women’s soccer game played in Canada could sell out a large stadium and deliver a national TV audience would have seemed unthinkabl­e 23 years ago, when the Burnaby, B.C., soccer phenom first donned the Maple Leaf, at the age of 16. Back in the early 2000s, the women’s team played in front of sparse crowds, with limited media coverage and laughable compensati­on – Sinclair and her teammates earned $10 a day. Moreover, the prize money from global competitio­ns paled in comparison to men’s and there was no domestic profession­al league from which they could earn a living. But in the late ’90s/ early 2000s, a perfect storm was about to hit the world of sports: the Women’s National Basketball Associatio­n tipped

off its inaugural season; Serena Williams began smashing her way to the top of the tennis rankings with stunning physicalit­y; the fierce rivalry between the Canada and U.S. women’s hockey teams was born, with players like Hayley Wickenheis­er and MariePhili­p Poulin emerging as national heroes; and soccer stars Sinclair and the U.S.’s Mia Hamm started unfurling their epic feats. Women’s sports had entered the national conversati­on and for the first time, new profession­al leagues backed by big corporate dollars began to take root. This year, the Profession­al Women’s Hockey League will hit the ice with three Canadian teams and in 2025, a women’s pro soccer league will kick off its inaugural season. The latter, which would not be possible without Sinclair’s onfield brilliance or off-field influence, serves as a fitting legacy of the soccer great. As she wrote in a public letter to her 16-yearold self before her final internatio­nal game: “While people will know you for your accomplish­ments on the pitch, they will remember you for how you transcende­d the painted white lines.”

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