Beijing Review

Witnesses

Documentar­y on World War II sex slaves seeks recognitio­n for the dwindling sorority By Pan Xiaoqiao

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Movie director Guo Ke was scrolling through Weibo, the popular Chinese microblogg­ing site, five years ago when something caught his eye. It was a blog about a 92- year- old woman, Wei Shaolan, who was living in Guangxi Zhuang Autonomous Region in southern China. Wei was a survivor of the brutal sex slavery that thousands of women in East Asia were forced into by the invading Japanese during World War II, and what went to Guo’s heart especially was the tragedy that continued beyond Wei’s generation.

In 1944, the Japanese arrived in Guidong, Wei’s village, slaughteri­ng, looting and raping. Wei, then a young nursing mother, tried to flee with her baby daughter but was caught and dragged to a “comfort station,” Japan’s euphemism for the hundreds of prisons set up in East Asia to provide sex slaves for the troops. There, she was brutalized for three months, and her daughter died. When she managed to escape and rejoin her family, she found herself pregnant.

She gave birth to a son, Luo Shanxue, and his suffering has been as intense as his mother’s. Shunned and stigmatize­d by the village because of his Japanese blood, Luo lived the life of a pariah, with his mother as his only companion.

The report made Guo search out the village and begin to document the lives of the mother and son. Though reconciled to his life, Luo couldn’t help voice his occasional anguish. “My life is a tragedy because of the Japanese invaders,” he told Guo. “The locals despise me, and when I was young, six women refused to marry me. I am condemned to remain alone because of my Japanese blood.”

The interviews made Guo decide to shoot a documentar­y on the mother and son. The 43-minute film was called Thirty Two, a reference to the number of Japanese sex slavery survivors alive in China at that time. As he researched the dwindling community in China, he felt a sense of urgency. The average age of the women was around 90, and each year, their number was decreasing. As they were a part of history, it was necessary to record their lives and save them from oblivion.

So in 2014, Guo decided to create a collage of the lives of all the remaining survivors in China, and another documentar­y, Twenty Two, paid tribute to the community, which had been reduced to 22 at that time.

Twenty Two was released in China on August 14, which is now observed as the Internatio­nal Memorial Day for the Victims of

 ??  ?? Li Ailian feeds stray cats
Li Ailian feeds stray cats
 ??  ?? Wei Shaolan and her son Luo Shanxue have a meal
Wei Shaolan and her son Luo Shanxue have a meal

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