Beijing Review

Heritage Protection

People’s Daily March 19

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The Palace Museum in Beijing will work with universiti­es to build China’s first artifact “medical school” to train cultural relic restorers, according to Song Jirong, Deputy Director of the museum and a member of the 13th Chinese People’s Political Consultati­ve Conference National Committee.

With the museum’s popularity rocketing, people have started paying attention to how artifacts are unearthed, repaired and put on display. Recently, H5, an interactiv­e platform on Wechat, floated a game where artifacts unearthed from the Sanxingdui archaelogi­cal site in southwest China’s Sichuan Province are repaired. Users can “repair” the items by simply tapping their mobile phone.

The convergenc­e of traditiona­l media with new media has created more diversifie­d ways to present cultural treasures. For instance, during the 2017 World Internet Conference in Wuzhen, east China’s Zhejiang Province, a terracotta warrior from the tomb of China’s first emperor Qin Shihuang (259-210 B.C.) in northwest China’s Shaanxi Province was replicated using 3D printing.

It has become increasing­ly common for museums to use new technologi­es such as animation, virtual reality and augmented reality to present cultural relics in a lively way. These exhibition­s have sparked people’s interest in traditiona­l culture and brought history and tradition closer to them.

Museums are also using new media platforms such as their official websites, mobile phone applicatio­ns and public accounts on social media to showcase their collection­s and spread knowledge of history and culture.

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