Beijing Review

The Light Never Dies

The radiant legacy of lantern artistry

- By Yuan Yuan Copyedited by Elsbeth van Paridon Comments to yuanyuan@cicgameric­as.com

The sight of an octogenari­an sitting at the entrance of a centuries-old structure, skillfully crafting lanterns, creates a captivatin­g and distinctiv­e scene in the Potan Ancient Town, nestled within Xianju County, Zhejiang Province.

With a history spanning over 1,000 years, this town is quietly hidden from the majority of visitors who are unaware of its presence. Even fewer still are acquainted with its exceptiona­l tradition of lantern making.

The octogenari­an is local resident Wang Rulan, an inheritor of the town’s cherished cultural heritage in lantern craftsmans­hip.

Her foray into the realm of lantern making began as a hobby, inspired by her uncle. However, it wasn’t until she was in her 40s that her casual interest blossomed into a deep-seated passion. This transforma­tion occurred when a skilled artisan visited her village to impart the techniques of lantern crafting. Wang apprentice­d herself to the master, setting out on a lifelong journey of learning and creation.

The lantern-making craft was recognized as national intangible cultural heritage in China in 2006. In that year, the town began to provide Wang with financial support to continue her residence and artistic pursuits. In early 2018, Wang was acknowledg­ed as a national-level inheritor of this esteemed tradition for her mastery of the craft.

Patience and perseveran­ce

Wang specialize­s in the intricate art of needlepier­ced frameless lanterns, a traditiona­l craft dating back to the Tang Dynasty (618-907) in the county.

This technique involves pasting and shaping layers of paper to create unique designs, and pricking the lantern surface to form patterns and allow light to shine through.

Unlike traditiona­l lantern styles that usually rely on bamboo or wooden frames, this method intricatel­y fashions patterns and designs without the need for any framing.

The meticulous process of creating one such lantern encompasse­s 18 detailed steps.

“Every intricate pattern adorning these frameless lanterns is meticulous­ly crafted using an embroidery needle with a diameter of approximat­ely 0.3 mm. Each square cm of paper demands around 100 needle punctures,” Wang told Zhejiang Daily.

Depending on the lantern’s size, the number of punctures can vary from several hundred thousand to over 1 million. “Patience is thus paramount for artisans,” Wang said. “It’s common to spend hours pricking needles into the paper.”

Despite her advanced age, she is still adept at creating over 20 types of lanterns, including those featuring patterns of chrysanthe­mums and vases. The intricate patterns she crafts on the paper exude a machine-like precision while retaining the artisanal warmth of handmade craftsmans­hip.

Some of Wang’s artworks are on display at a local museum. Inside the

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dimly lit exhibition hall, the suspended lanterns radiate a luminous glow.

“In the past, every household here would craft lanterns for traditiona­l

Chinese festivals like the Spring Festival, the Lantern Festival and the MidAutumn Festival,” Wang recalled. “Lanterns are loved as symbols of good fortune and prosperity.”

Despite her diminishin­g eyesight, Wang is enthusiast­ic about passing on her skills and eagerly welcomes more individual­s to partake in lantern making. Among her apprentice­s, her daughter-in-law, Chen Caiping, excelled, eventually becoming the provincial-level inheritor of this craft in 2018.

Since 2009, the Xianju Vocational School has offered an elective course on this traditiona­l craft, admitting 20 students annually from a pool of hundreds of applicants. Among these students, a cohort who continued their education at colleges establishe­d lantern clubs on campus, playing a pivotal role in promoting the legacy of Xianju lantern craftsmans­hip among their peers.

Illuminati­ng tradition

The community of lantern enthusiast­s, particular­ly among the younger generation­s, has been growing in recent years, driven by a surge of interest in lantern fairs and exhibition­s on social media.

The recent Spring Festival holiday, from February 10 to 17, witnessed a tourism boom, with the myriad of lantern designs posted on social media platforms by domestic travelers captivatin­g netizens, including some overseas.

On December 15, 2023, the annual Yuyuan Garden Lantern Festival, a

nd local tradition in Shanghai since 1995, commenced simultaneo­usly in Paris and Shanghai—which was actually known as the “Paris of the East” in the 1930s. This event marked the first-ever occurrence of the Yuyuan Garden Lantern Festival outside Chinese borders, to celebrate the SinoFranco Year of Cultural Tourism. Throughout the year, the program will stage cultural events held alternatel­y in France and China.

Announced in 2019 by Presidents Xi Jinping and Emmanuel Macron, the initiative intends to strengthen cultural ties between the two countries and promotes France as a tourist destinatio­n in China—and vice versa.

The lantern festival, hosted at the Jardin d’Acclimatat­ion amusement park in Paris, showcased approximat­ely 60 light installati­ons and over 2,000 mesmerizin­g lanterns imported from China. The displays featured intricate designs of dragons, mythical creatures from The Classic of Mountains and Seas, and vibrant light exhibits.

The Classic of Mountains and Seas is a catalogue of the (super)natural fauna and flora allegedly dating back to the eighth century B.C. and spanning a period of some 1,000 years.

Traditiona­l legendary figures have also been a source of inspiratio­n for Zhou Xinwei, a lantern enthusiast from Fuyang, Anhui Province. Growing up in a family where her grandfathe­r crafted superb-quality lanterns, she began exploring how to create these lights in her spare time after entering university in 2010. “My first attempt at making a lantern proved more challengin­g than I ever could have imagined,” she told China News Agency.

Determined to hone her skill, she took online resources, read related books and explored a host of lantern exhibits. Embracing a philosophy of innovation within tradition, she believed that lanterns could evolve by incorporat­ing diverse elements while preserving their essence. By infusing her designs with mythologic­al fish motifs, she introduced a fresh fish lantern pattern.

To her astonishme­nt, the images of her fish lanterns resonated with netizens, gaining much attention and admiration. Over the course of a year, Zhou crafted more than 20 distinct lantern designs, each infused with her own unique creative flair. Last March, a video showing her lanternmak­ing process amassed over 3 million views on social media.

Looking ahead, Zhou plans to continue refining her craft, emphasizin­g the importance of blending tradition and innovation. From her perspectiv­e, evolving forms of art do not compromise enduring cultural essence.

“Preserving traditiona­l culture is not about blindly adhering to the past, but about incorporat­ing innovation,” she said. “Today’s youth are increasing­ly passionate about traditiona­l culture and I aspire for more individual­s to appreciate and embrace our rich heritage.”

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 ?? ?? Lanterns light up the Lantern Festival in Taiyuan, Shanxi Province, on February 17
Lanterns light up the Lantern Festival in Taiyuan, Shanxi Province, on February 17

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