China Daily (Hong Kong)

In the 1980s, fashion brands began putting their logos on everything. Here, we chart their recent rise to prominence

- By CHINA DAILY LIFESTYLE PREMIUM

Before ready-to-wear became standard practice, made-tomeasure was a common choice when it came to getting a piece of clothing. In the 1950s, it became popular among Parisian women to collect sewing patterns — the garment template released periodical­ly in magazines — so they could bring the pattern to a tailor’s shop or sew it themselves at home.

However, self-sewn clothes had all but disappeare­d by the 1980s as ostentatio­us, showy styles took the lead. Attire became highly conspicuou­s, such as Madonna’s garish look in the 1985 film Desperatel­y Seeking Susan, Joan Collins’s powerful woman’s shoulder pads and the yuppies’ preppy upscale styling that rose in parallel with the increase of wealth in many societies including the US, Britain and Hong Kong.

People seemed to be splashing heaps of cash on clothes and desired more visibility. Fashion companies smelled a business opportunit­y to increase their value by elevating their brand profiles, so they spent enormously on marketing and ad campaigns. Logos evolved from a differenti­ating name to a strong branding force and a status symbol.

From the decadent ’80s to today, fashion brands have embraced marketing with glamour and creativity, putting their logos under the spotlight. Eminent players in the ’80s and ’90s included emerging American jeans brands such as Jordache, Calvin Klein and Guess, which put their distinctiv­e logos on the back Desperatel­ySeekingSu­san

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 ?? USA INC; CHRISTIAN VIERIG / GETTY IMAGES; ?? Clockwise from top left: Moschino womenswear, SS17. Vuitton Monogram Colors collection. (1985) poster. Calvin Klein underwear.
USA INC; CHRISTIAN VIERIG / GETTY IMAGES; Clockwise from top left: Moschino womenswear, SS17. Vuitton Monogram Colors collection. (1985) poster. Calvin Klein underwear.

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