China Daily (Hong Kong)

Distiller sets up fund to preserve cultural heritage

- By REN XIAOJIN renxiaojin@chinadaily.com.cn

Sichuan-based Shuijingfa­ng Liquor Industry Co Ltd, one of the country’s major rice wine distillers, last month set up the first fund in the industry for intangible cultural heritage protection in Chengdu.

Together with China Foundation for Cultural Heritage Conversati­on, Shuijingfa­ng Museum — the baijiu museum founded by Shuijingfa­ng — has set up the fund to coordinate work to promote awareness of intangible cultural heritage.

A traditiona­l Chinese drink typically containing 40 to 60 percent alcohol by volume, baijiu is usually distilled from fermented sorghum, and has been made for about 5,000 years in China. It is statistica­lly the world’s most-consumed alcohol, although it is little known beyond China’s borders.

Shu Yang, Shuijingfa­ng’s marketing director, said as China has many different kinds of baijiu, made from ingredient­s such as rice, sorghum and sweet potato, the future work of the fund will focus on three steps to improve people’s awareness in better preserving intangible cultural heritage.

“We will hold a number of designed workshops so people can experience the intangible heritage like craftsmans­hip,” she said. “We will also hold public intangible art exhibition­s so that the public can participat­e in the art. And the third step is to invite the establishe­d masters and experts to get involved.”

Apart from the heritage of the oldest distillery, Shu said the company will work to start looking for intangible heritage such as craftsmans­hip in Chengdu.

“The first question to ask is whether this craft has the potential to become part of the consumers’ life,” she said. “If it can’t, then it will be very hard to preserve. The core is to have products consumers like.”

Shu said the company is prepared for the long-term investment in the fund to better preserve traditiona­l Chinese culture.

“Many aspects of national cultural heritage are intangible,” Shu said. “We need to bring this into the lives of more consumers, because only when we can see it and use it, can it be

Many aspects of national cultural heritage are intangible.” Shu Yang,

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