Chance encounter leads to realization
MON - TUE
26/44 27/43
24/31 23/31
27/34 28/34
24/32 24/33
25/33 25/33
27/32 27/31
26/31 26/31 19/31 12/22 16/29 18/28 4/21 8/27 19/30 16/30 26/35 27/35 19/29 21/25 25/33 26/32 16/27 17/24 19/26 20/27 25/33 26/33
28/33 28/34 27/36 27/36 Beijing Changchun Changsha Chongqing Dalian Fuzhou Guangzhou Guilin Guiyang Haikou Hangzhou Harbin Hefei Hohhot Hongkong Jinan Kunming Lanzhou Lhasa Lijiang Macao Nanchang Nanjing Nanning Qingdao Sanya 19/30 12/20 21/31 18/27 16/24 25/32 26/35 22/30 14/25 26/35 20/30 10/23 19/28 8/22 28/33 22/33 13/21 12/27 10/20 11/22 26/32 23/31 20/29 24/32 16/21 28/34 S T C C C D T O C Sh C C O S C C Sh S D Sh C C C Sh C C
In the late Italian Renaissance, a popular theater form arose called Commedia del Arte, the Comedy of Art. The plays had rudimentary story lines revolving around some basic, funny situation, the gag. Because they were improvised, they needed some special factor to hold everything together.
Enter the stock characters, social stereotypes the audience would recognize behaving precisely as expected.
They included il Dottore (the Doctor), an older scholar who wore an academic robe; the servants Arlecchino (Harlequin, a clown) and Colombina (the Dove); and Pantalone (Trousers), a wealthy old man who wore a cape and red pants.
The characters all came 16/30 12/19 24/32 20/26 16/26 25/32 27/35 24/30 18/27 26/35 22/28 13/22 21/27 7/24 28/34 20/30 13/22 14/28 8/20 12/22 26/31 24/31 22/27 25/33 17/24 28/34 S T C O C D C Sh C T C T O S T C Sh S Sh R C Sh O C C C Shanghai Shenyang Shenzhen Shijiazhuang Suzhou Taipei Taiyuan Tianjin Urumqi Wuhan Xi'an Xiamen Xining Yantai Yinchuan Zhengzhou Zhuhai Athens Berlin Brussels Geneva Istanbul London Madrid Moscow Paris Rome Vienna across as roughly sketched caricatures rather than actual people.
I got interested in Commedia del Arte many years ago but had forgotten all about it until recently, when I read an actor’s obituary in The New York Times.
What drew my attention was the photo — a face I had seen many times, though I couldn’t remember him playing any particular role — and the headline:
“Soon-Tek Oh, Actor Who Chafed at Asian Stereotypes”.
Oh left his native Korea for the United States and had great success as a bit part actor, it said. He appeared in more than 100 television episodes and films from the 1960s to 2006. Often, especially early in his career, he was cast as the stock Asian, rather than a flesh-andblood person — the “houseboy” or some other Asian stereotype in productions where any role of substance was played by a white actor. 19/29 16/24 28/33 23/32 18/25 25/33 10/31 19/31 19/31 20/30 16/31 27/33 5/22 17/29 11/29 20/33 26/32 22/29 19/21 20/23 16/19 18/24 15/18 11/19 10/17 19/23 18/22 19/21 C T C C O C S C S C O D C Sh C C C S C D O D C D S O C C 21/25 12/23 27/33 18/29 17/29 26/33 13/29 17/27 12/22 21/30 17/29 26/32 8/22 15/24 13/29 19/28 27/31 22/29 19/25 21/24 17/18 18/24 14/16 13/17 7/21 19/20 18/20 19/21 O C T C O S S C C C O C C O C C S S C D D D C D S D C D
The obituary quoted Chinese-American actress Pat Li: “You don’t know how tired you can get of always being Suzie Wong ... or a houseboy.”
Oh, Li and seven other actors started a theater company called the East West Players to give Asian actors an opportunity to play real roles instead of the caricatures they were always cast as. That company still exists and is credited with helping advance theater depicting ethnic Asians as part of the fabric of mainstream American life.
Oh’s obituary got me thinking about how Asians were depicted in the television programs and films I had seen as an American child in the early days of Oh’s career.
There wasn’t much to remember — Asian roles were rare in those days. The few that came to mind were mostly one-dimensional stereotypes, like a Chinese cook occasionally scurrying around in a cowboy series.
There were a few roles of MONDAY TUESDAY Abu Dhabi 30/40 Bangkok 27/34 Colombo 28/31 Dubai 32/38 Hanoi 25/30 Islamabad 23/39 Jakarta 26/31 Karachi 29/39 Kuala Lumpur 25/33 Manila 27/36 Mumbai 28/34 New Delhi 26/44 Pyongyang 14/29 Riyadh 22/39 Seoul 16/27 Singapore 27/32 Sydney 11/20 Teheran 18/29 Tokyo 19/26 Wellington 10/12 Yangon 24/31 C D R C D S D S D D O S S C S D D D O D R 30/41 28/34 28/31 30/39 25/29 23/40 26/31 28/37 25/33 27/36 29/35 27/43 16/27 22/39 17/24 27/31 11/22 23/31 20/27 10/12 23/31 S D D S D S D S D D D S D C C D O S O D D more substance depicting Asians, but they always somehow mitigated that factor — to mollify a prevailing racism?
Bruce Lee had a regular role in a series about a masked crime-fighter … he was the hero’s driver. In a series about a Shaolin monk roaming the American West, the character was supposed to be half Chinese, half white and was played by a white American actor.
And there were the reruns of a film series about a brilliant Chinese detective in Honolulu. But the character, depicted almost as a farcical figure, was played by a white actor.
I can think of only one regular series in the 1960s, a detective series, that had a regularly appearing Asian role played by and depicted as a real person of Asian heritage.
How odd that never occurred to me before. BuenosAires 12/26 Caracas 26/31 Chicago 24/29 Houston 26/32 Las Vegas 19/34 Los Angeles 15/22 Mexico city 19/25 New York 19/26 Ottawa 12/25 Rio De Janeiro 19/23 San Francisco 13/24 Sao Paulo 16/19 Vancouver 10/19 Washington 23/27 Cairo 22/32 CapeTown 11/16 Johannesburg 2/17 Lagos 26/28 Nairobi 14/25 D S S D S C S O D D C C C D D R S C S 17/19 St 25/31 D 21/28 C 24/33 D 22/36 S 15/21 S 20/21 S 16/28 O 21/28 D 20/25 D 14/22 S 15/20 S 11/17 D 21/29 D 22/32 S 14/16 D 5/17 S 27/29 D 12/26 S