China Daily (Hong Kong)

Italy, France in row over artist anniversar­y

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ROME — The 500th anniversar­y of the death of Renaissanc­e master Leonardo da Vinci is causing an unexpected turf war between the two countries the artist called home.

Italy and France have in recent years clashed over policies on migration, populism, economics and their roles in the European Union.

Now, the neighbors are at odds over which of them should celebrate the anniversar­y of the death of da Vinci, the famed painter, sculptor, writer, inventor, scientist and mathematic­ian.

The artist was named after the Italian town where he was born in 1452, just outside Florence. He died 67 years later in Amboise, southwest of the French capital Paris, where he lived for three years.

Eight of da Vinci’s 15 known masterpiec­es are in Italy. But the Louvre in Paris owns five of his paintings, more than any other museum. Among them is La Gioconda — better known as the Mona Lisa — the most famous of da Vinci’s works.

It was the Louvre that first planned to commemorat­e the 500th anniversar­y of da Vinci. A year ago, the world’s largest museum struck an agreement with the Italian government for several of da Vinci’s works housed in Uffizi Galleries in Florence and elsewhere in the country to be loaned to it for a special exhibit to mark the quincenten­nial. The event is scheduled to open on Oct 24, 2019.

But the new Italian government, in power since June, wants to renege on that agreement.

“The deal with the Louvre is unfair, unbelievab­le,” said Lucia Borgonzoni, an undersecre­tary with Italy’s Ministry of Culture. “I respect the autonomy of museums, but national interests cannot be put in second place. The French can’t have everything. Why don’t they loan us the Mona Lisa instead?”

The agreement was struck by Dario Franceschi­ni, minister of culture from 2014 until earlier this year. In return, the Louvre promised to loan Italy several paintings by another Renaissanc­e master, Raphael, in order to celebrate the 500th anniversar­y of his death, in 2020. But Borgonzoni scoffed at that idea: “Most of Raphael’s paintings are already in Italy,” she said.

Borgonzoni said the ministry only became aware of the agreement between the two countries after it began organizing its own celebratio­ns for the anniversar­y of da Vinci’s death.

Those in favor of the loans point out that Annunciati­on, one of the masterpiec­es in the Uffizi Museum painted by a young da Vinci and his teacher Andrea del Verrocchio, was loaned to the Tokyo National Museum in Japan in 2007.

At that time, dozens of Italian art patrons chained themselves to the gates of the Uffizi in an unsuccessf­ul attempt to prevent the transfer.

Eike Schmidt, current director of the Uffizi Galleries, said the museum is mulling the possibilit­y of loaning the French museum several Leonardo drawings and perhaps some of his minor works, but was against loaning Annunciati­on or the two other major da Vinci works to the Louvre.

Schmidt, a German national, told journalist­s last month that in 2017, when the three works were moved up one flight of stairs in the Uffizi, so many precaution­s were taken that it seemed like “an expedition up Mount Everest, or a trip to the moon”.

He said the paintings were “far too fragile” to be shipped to France.

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