Digital drive opens more doors to grottoes
As a major cultural and tourist destination, Dunhuang’s Mogao Caves suffer from what many other attractions will envy — too many visitors.
The crowds heading to the iconic repositories of ancient Buddhist art constantly threaten the fragile cliffside environment on the fringe of the Silk Road oasis, according to Zhao Shengliang, director of the Dunhuang Academy, which manages and studies the site and its relics.
To mitigate the impact of human activity on the grottoes in Gansu province, which face the Gobi Desert, the academy has sets limits on visitor numbers. Two ticket categories are sold every day. The first type is limited to 6,000 tickets and allows holders to access eight of the 492 grottoes containing major Buddhist art, while the second category allows up to 12,000 visitors to enter four of the caves. More than 100 of the caves at the UNESCO World Heritage Site are suitable for public access on a rotational basis as part of conservation measures.
Wang Xiaowei, director of the site’s monitoring center, said the caves are at full capacity during the peak summer holiday season.
“In line with protective measures for the site, we take a preventive approach that encompasses tracking the natural and human impacts,” Wang said.
From high humidity levels to ground movements generated by visitors’ footsteps, center staff members are on alert for any risks to the condition of the relics, which are monitored via a central command room. Command room staff can order the closure of specific grottoes to prevent any negative impact on the artifacts.
Faced with the physical and geographical limitations of the site, the academy is pushing ahead with a major digital-imaging drive to archive the Buddhist relics so that more people can access and appreciate them. Building on the groundwork of the late 1990s and collaborations with international cultural institutions, the digital archiving of 221 caves has seen completed, according to Wu Jian, director
of the academy’s cultural relics digitization institute.
Five teams of four imaging professionals record the Buddhist art with advanced photography equipment before the images are processed by another specialist team at the academy. Viewers can easily access the results online, including Englishlanguage versions, Wu said.
Twenty-five exhibitions and events related to the digitized murals, sculptures and other relics have been rolled out at home and abroad, from Hangzhou, Zhejiang province, and Hong Kong to Bali in Indonesia and Moscow, with virtual reality and 3D technology improving the experience, he said.
“The digitization of the relics is not meant to replace the experience of visiting Dunhuang, but more to complement it. Being where we are, it can still be difficult for many people to come here,” Wu said.
Many of the foreign visitors to Dunhuang are from the United States and Japan, while Beijing and Shanghai residents account for most of the domestic tourists, he said. One of the recent exhibitions in Shijiazhuang, the capital of Hebei province, drew elderly viewers who were fascinated by the Buddhist art. They probably would have found it too physically demanding to see by traveling to the Mogao site, Wu said.
The fruits of the digitization are also seen at an exhibition complex on the outskirts of Dunhuang, where visitors set off in batches on a half-hour drive to the grottoes.
Audiences get a comprehensive introduction to the relics with the help of digital renderings of the murals, full-scale replicas of important caves and movie-like presentations that employ the imaging technology of the academy.
“We are heading in the right direction,” Wu said, adding that the efforts should be expanded beyond the Mogao Caves to cover other grottoes and cultural heritage offerings.
“The idea is to tap these resources, under the right conditions, for the people to enjoy at any time and in any place.”