China Daily (Hong Kong)

I’m stretched to the limit learning a painful lesson the hard way at arts school

- Liu Nana, 26-year-old student with the Yisu Art Troupe inheritanc­e class Liu Nana spoke to Xin Wen.

Iwas born to a family in Lanzhou city, capital of Gansu province, that loves Qinqiang Opera. My father played xusheng (a role for a middle-aged male that requires a beard) in the Yongdeng county art troupe.

To ensure I received the best education for Qinqiang Opera, my parents sent me to the Shaanxi Provincial Arts School in Xi’an, capital of Shaanxi province, in 2010, when I was 16.

I was somewhat nervous when I arrived in the city. The people looked a lot different to those in Gansu. In addition, I found it hard to understand the local dialect, and the first few classes I attended at the school were a real challenge.

Students new to Qinqiang Opera were required to stretch their muscles to better master basic skills such as kicking their legs and performing somersault­s.

However, my leg muscles felt quite tight, and when I stretched them, it was so painful that tears welled in my eyes.

We had a lot of time in class, starting at 7 am and finishing at 9 pm, so I basically spent the entire day in the training room.

Although the work was hard, we also had some fun. Every week, there was a class where the teachers told us how to put on makeup. This was usually my happiest time at the school.

In 2015, I had the opportunit­y to join the Yisu Art Troupe to continue learning qingyi (graceful female Qinqiang Opera roles).

Having seen many well-known exponents of the art form since I joined the troupe, I realize there are many techniques and much experience I need to learn, and also just how important it is for us to practice the basic skills every day.

I hope I can learn more from the troupe, and make my performanc­es really come alive.

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