China Daily (Hong Kong)

What They Say

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The fiercest competitio­n happens on the mainland, where the market is huge and many technology teams are producing the same type of things. If we can stay ahead in one of the most competitiv­e places in the world, then when we go to foreign markets, we still have an edge.

We must constantly optimize our solutions in terms of technologi­cal competitiv­eness. But in the end, we depend on IP. Because whatever technologi­es we are using, either AR/VR, 3D, or those technologi­es for virtual idols and virtual anchors, they are used to create content, and the content is led by IP.

Kevin LeeKa-tsun, founder & CEO, Redspots Creative

With the emergence of different technologi­es, we can say the world is flat. For content creators, the challenge is to realize content innovation under the premise of technologi­cal innovation — unlike in the old days, when virtual idols in Japan needed five to seven years to attract thousands of fans. We must be familiar with both technology and operation, incubate products in the shortest time, and change some old incubation pace and patterns.

(Virtual IP) is closely related to the fashion industry, the film and television sector, or street fashion and art. It is closely linked to avant-garde art.

We need to master both cutting-edge technologi­es and pioneering art, and have a good sense of the latest market trends to assure a spot on the global stage. YangXiaoxu­an, vice-president,iQiyi

COVID-19 still prevents us from visiting our offices on the Chinese mainland. However, it will not stop us from seeking and seizing on opportunit­ies in web drama, virtual games and other digital entertainm­ent content. The pandemic made us realize there are abundant opportunit­ies on the internet. There are companies approachin­g us for IP collaborat­ion. I hope we can have more exchanges and collaborat­ions between industry leaders from the two sides.

SzeYan-ngai, founder and chairman of Gameone and chairman of the Hong Kong Game Industry Associatio­n

This year, people pay more attention to digital ambassador­s than ever before. But the industry remains at a quite initial stage, with much untapped commercial value. Our practice has revolved around the commercial value and properties of virtual idols. We also recognized some risks and problems during our exploratio­n. But generally speaking, the emerging industry is promising and full of potential. CatherineL­iu, research director of Beijing Ent Group Century Data Technology

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