ChinAfrica

Theworldin­fourstring­s

An instrument­al soloist from Hangzhou tugs at Morocco’s heartstrin­gs with her Chinese

- By François Dubé

Concert performer Yu Lingling likes to point out that her hometown, Hangzhou, East China’s Zhejiang Province, was the starting point of the ancient Silk Road, a corridor of intercivil­izational exchange. As if predestine­d by the place of her birth, the artist took the art of cultural sharing into her own hands and now travels the world with the goal of promoting China’s traditiona­l music.

At the 23rd Fes Festival of World Sacred Music, held in Morocco from May 12-20, Yu again had the opportunit­y to play her Chinese pipa, a four-stringed lute with more than 2,000 years of history. The African audience quickly fell under her spell. After an acclaimed performanc­e, she was introduced to Princess Lalla Salma, wife of King Mohammed VI of Morocco.

Yu is a musicologi­st and virtuoso of the pipa. After establishi­ng itself as a court music instrument under the Han Dynasty (206 B.C.-A.D. 220), the pipa was subsequent­ly widely used, eventually becoming one of the most emblematic Chinese instrument­s. It is her expert mastery of this reputedly difficult instrument that earned Yu her invitation Morocco and the royal meeting.

“The audience in Fes was very sensitive and spiritual. They are great lovers of musical culture. Although I try to explain each piece before interpreti­ng it, I think I didn’t need to do that in their case, because they know that true music cannot be explained, we can only experience it. It is a movement of the heart.” speaking. During the festival, I played and improvised with other artists. When doing so, you need to alternate between following the rhythm and melody of others and setting the rhythm and melody yourself. In this exchange, artists are constantly trying to convey emotions to each other. That’s Fes for me!”

Yu has also decided to pay tribute to the ancient ties that linked the Arabic world to China by interpreti­ng an old pipa solo melody rearranged by Ramzi Aburedwan, Director of the Palestine National Ensemble of Arabic Music.

Some of the melodies that Yu plays on her arrived in China more than 1,000 years ago through the ancient Silk Road.

“In fact, traditiona­l music is full of borrowings, so it’s hard to say with certainty what comes from us and what comes from them. Morocco also has pentatonic music, like China,” explained the musicologi­st who studies exchanges between ancient musical traditions. pipa

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