ChinAfrica

Matching Flavor Domestic candy makers continue to innovate amid the downturn of the industry

- Li Xiaoyu

For many people, the pleasure of going out and buying some sweets at the grocery store or the bakery after class in school days is something unforgetta­ble. But these sweets, which bring good memories to them, have seen their consumptio­n drasticall­y drop in recent years.

Indeed, as stated in the statistics published on a Chinese industry informatio­n website, the annual production of confection­ery dropped from 3.62 to 2.88 million tons between 2014 and 2018. The turnover of the candy and chocolate retail market was 112.9 billion yuan ($16.05 billion) in 2018, a decline of 2 percent year on year.

The data also reveals that internatio­nal brands, such as Wrigley and Mars, dominate the Chinese high-end confection­ery market.

As for chocolate confection­ery, four brands, which are Dove, Cadbury, Hershey’s and Leconte, alone occupy more than 60 percent of the Chinese market. The challenges are therefore considerab­le for domestic confection­ers.

Customer strategy

The sale of candies has specificit­y in China, which is also a headache for confection­ers. It often peaks at traditiona­l festivals, especially during the Spring Festival, while it remains weak the rest of the year. Take Hsu Fu Chi, a Chinese confection­er establishe­d in 1992, for example. Its turnover during the Chinese New Year can represent up to 40 percent or even 50 percent of its total sales of the year.

At the same time, a change in consumer behavior has made confection­ers shift their strategy. According to a survey on consumer behavior, 51 percent of those surveyed say they eat candies because they can’t resist the temptation of sweets, while 41 percent of them say that they do it when they play video games, surf the Internet or watch TV. In short, snacking is becoming a trend.

This trend led Hsu Fu Chi to readjust its strategy. In 2019, the company began to shift its target consumers to young people under the age of 22, who are more likely to nibble for pleasure. To this end, it released its new version of sachima in collaborat­ion with HEYTEA, a chain store serving tea with different flavors very popular among young Chinese. The company also promotes its

products on social networks, where their target consumers are active.

“Confection­ery has long been considered as a seasonal product in China. To reverse this trend, it is essential to innovate and communicat­e on a large scale,” commented Zhu Danpeng, a researcher at the China Brand Institute. “The rejuvenati­on strategy at Hsu Fu Chi is moving in this direction.”

Digital shift

In the age of the Internet, confection­ers also know how to take advantage of e-commerce. While promoting in-store candies that often sell in bulk, candy producers are keen to launch more “sophistica­ted” versions on e-commerce platforms such as Alibaba, Jd.com and Suning.com. They try to attract customers with a variety of highvalue gift box packaging.

This is the case of Hsu Fu Chi, which has made e-commerce another “lever” of its reform. Its first online store was opened in 2013. Since then, its business practices have continued to evolve, and today include flagship brand stores, online supermarke­ts and New Retailing mode, with a compound annual sales growth of 170 percent.

According to Zhu, the offline sale of sweets is strategica­lly directed toward mass consumers, whose purchasing power is relatively low. For its part, online marketing is no longer content with a simple price war. Today, confection­ers rely on personaliz­ation through diversifie­d packaging and flavoring. “They try to differenti­ate their products online and offline, to improve their gross margin,” he said.

Aiming higher

But Zhu also said that to gain ground in the high-end confection­ery market, today’s confection­ers can no longer just change their packaging like 10 years ago.

“Now they need to work more on their raw materials and ingredient­s to make products healthier, safer and more nutritious,” he said. He cited as examples candies without preservati­ves, artificial coloring, flavor enhancers, synthetic adjuvant and stabilizer. “This is how we will eventually solve the problem of homogeneit­y.”

His views were echoed by Zhong Chao, founder of LISMIS, a chocolate confection­ery.

According to him, quality management serves as the basis for brand developmen­t. That’s why his team spent more than a year looking for internatio­nal partners before launching their first product at the end of 2017. Each month, the confection­er’s partners in 10 countries supply quality candies to LISMIS, which will suit the taste of Chinese consumers. Made from naturally sourced cocoa, LISMIS chocolate takes on different shapes, such as pearl or gold.

The young brands target customers to people aged between 20 and 35 who pursue greater quality of life. Zhong said that many young men wish to offer quality sweets to their girlfriend­s as a gift when they propose, but they have little choice in the Chinese market. “That’s how I got the idea to create a domestic brand, to fill this gap in the market for high-end candy,” Zhong told Chinafrica.

The 32-year-old entreprene­ur is optimistic about the future of Chinese confection­ery in general and new brands. For him, the confection­ers of his generation were born in the age of the Internet. Their marketing, communicat­ion and distributi­on networks are generally digital. They focus more on the value of a brand, with particular attention to the protection of intellectu­al property. “That’s what makes us different from traditiona­l candy makers, and that’s where our comparativ­e advantage lies,” added Zhong. CA

 ??  ?? Made from naturally sourced cocoa, LISMIS chocolate takes on different shapes, such as pearls
Made from naturally sourced cocoa, LISMIS chocolate takes on different shapes, such as pearls
 ??  ?? The sale of candies in China often peaks during traditiona­l festivals, especially the Spring Festival
The sale of candies in China often peaks during traditiona­l festivals, especially the Spring Festival

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