Global Times

Playing the game

rise and fall of Chastain on the princess’ Hollywood’s ‘poker Zheng Xiaolong’s new spy epic hits small screens

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Jessica Chastain struggled initially to relate to Molly Bloom, the former ski champion turned “poker princess” hostess to the rich and famous at Hollywood’s most exclusive high stakes card tables.

It wasn’t until Chastain met Tinseltown’s goddess of gambling as part of her research into playing Bloom in upcoming biopic Molly’s Game that she began to understand the high-rolling impresario’s motivation­s.

Growing up in Colorado, Bloom seemed destined to follow her Olympian brother Jeremy into elite level skiing, until an injury brought a halt to her dreams and she turned her attention to undergroun­d poker.

She earned a fortune hosting illegal gambling for Hollywood stars like Leonardo DiCaprio and Matt Damon, as well as politician­s and Wall Street titans, taking eyewaterin­g stakes from her illustriou­s clientele, fueled by cocaine.

At her height, Bloom claimed to be making $4 million a year, but things fell apart when she made the mistake of insisting on a cut of the pot, rather than just making her living from tips, which pushed her activities into the bracket of organized crime.

Her dealings also came to the notice of Mafia mobsters, who began demanding their own share, before one of her games was raided by FBI agents and all her possession­s were seized.

“To understand how she got trapped by these people, this was hard and I think I was guilty of some judgment,” California native Chastain told AFP.

“We as a society have fallen to the pattern of blaming women for things, the way they look, dismissing them, shaming them for revealing their bodies. I absolutely had that judgment before I met her,” she said. Chinese director Zheng Xiaolong, well-known for TV production­s including Red Sorghum and The Legend of Zhenhuan, has returned to the small screen with a new spy war production: Wild Rose.

With Zheng onboard as artistic director, the production starring Yang Zishan and Chen Xiao broadcast its first episode Uncompromi­sing

Chastain, 40, nominated for a best actress Golden Globe for her turn as the hostess, said she came to see Bloom as “a creation from this patriarchy” who did what was necessary to “be visible, to be heard” in a man’s world.

“It comes from her childhood. Her dad made it clear that he made the rules,” the actress said in an interview in Beverly Hills.

“She would have to follow them until she makes her own money. So she goes for an industry where she feels she can get that liberty.”

Valued for her discretion and able to earn millions of dollars a year at her peak, Bloom was privy to some of the darkest and most valuable secrets of the rich and famous.

The movie, due for release on Christmas Day, does not name or represent on screen any specific personalit­ies, but Bloom’s 2014 memoir shocked and amused Hollywood with its tales of A-list poker parties.

Charmed by Ben Affleck – “he’s nice to everyone,” she says – Bloom was less impressed by Spider-Man actor Tobey Maguire, describing him as “the worst tipper, the best player and the absolute worst loser.”

Dressed simply in stylish gray pants and a white shirt, her porcelain features a study in placid composure, Chastain exudes a personal style that is the antithesis of the brash outfits and thick makeup Bloom wears in the film.

Iron-willed

The flame-haired actress, who already has a Golden Globe for military thriller Zero Dark Thirty and two Oscar nomination­s, made her name in 2011 with The Tree of Life and The Help.

She has been one of the most vocal proponents of the #MeToo social media campaign against sexual assault, set up after veteran producer on Jiangsu TV on Saturday.

Different from the past spy production­s, Wild Rose focuses on how the characters grow to become undercover agents in Kuomingtan­g-administra­ted cities in China during the 1930s.

Zheng said at a press conference on Thursday that “in addition to examining the lives Harvey Weinstein was brought down by more than 100 allegation­s of misconduct.

Chastain says Molly’s Game director Aaron Sorkin, celebrated for his sharp, back-and-forth dialogue in The West Wing, A Social Network and Steve Jobs, may well be the best screenwrit­er in Hollywood.

“I studied the classics – Shakespear­e, Chekhov and Ibsen – and he has this way, he has a rhythm just like Shakespear­e had,” said Chastain.

“Aaron’s dialogue is like that. So if you drop the ball on that pace, you lose it. So I wanted to be word perfect on his script.”

At the heart of the Molly’s Game is the relationsh­ip between Molly and her lawyer Charlie Jaffey (Idris Elba), who encourages her to cooperate with the police and give up her celebrity former clients.

“She gives away piece after piece of who she is and she goes to Charlie Jaffey’s office and you kind of see this shell of this person: ‘They took all my money so they could give it back to me for all this gossip,’” said Chastain.

Bloom stopped cooperatin­g but avoided jail time when she was sentenced in 2014 to a year probation after admitting to being a key player in an illegal $100 million gambling ring.

“She goes, ‘My name is Molly Bloom – this is who I am –’ and it’s the first time in the movie she does that,” said Chastain, explaining Bloom’s change of heart.

“I don’t see it as protecting others, I see it as, for the first time, protecting herself and her integrity.” of people during that special time, the show also wants to express a certain spirit, because we are making this drama for young people as well.”

Its director Jin Ye, whom Zheng has worked with on a number of production­s, echoed Zheng’s statement, “The show tries to remind us of those unknown heroes who didn’t know the future but still sacrificed all they had for our futures.”

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 ?? Photo: IC ?? Jessica Chastain
Photo: IC Jessica Chastain
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