Global Times

Tanbi culture confuses issues of pornograph­y

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Sina Weibo blocked gay content as part of a campaign to regulate the online environmen­t. This triggered a firestorm of discussion online as Sina Weibo mentioned homosexual­ity and pornograph­y, bloody violence in the same breath.

Relevant authoritie­s ordered ratificati­on of certain video sites and social platforms with the intention of making a cleaner and more harmonious community environmen­t.

It is understand­able for Sina Weibo to clean up pornograph­ic and violent content, but homosexual­ity should not be the object of rectificat­ion.

Homosexual­ity has existed both at home and abroad since ancient times as it is a natural phenomenon in human society. Although there is no scientific conclusion on the causes of homosexual­ity, it should never be confused with pornograph­y.

Homosexual­s have been associated with stigmas such as AIDS and pornograph­y. It is very hard for this group to pursue recognitio­n in mainstream culture. Sina Weibo’s behavior is clearly a wrong one-size-fitsall implementa­tion of the government’s governance over pornograph­y and vulgar culture.

In this incident, there is also a concept that cannot be ignored: tanbi culture. Tanbi, which originated in Japan, refers to a literary style that advocates romance and aesthetici­sm. In the 1960s, Japanese novelists and cartoonist­s establishe­d a connection between tanbi and beautiful boys’ love, which was widely loved by readers. Over time, tanbi became a synonym for homosexual­ity.

Tanbi culture spread to the Chinese mainland and developed fast at the beginning of the 21st century. Fujoshi girls who enjoy romantic relations between two men are eager to share their own fantasies of same-sex love. In recent years, the rapid rise of social networks has provided an opportunit­y for the spread of tanbi culture, which has also gradually been recognized by the mainstream ideology of society and become an important source of literature, film and television creation.

It is undeniable that many works of tanbi culture have become carriers of pornograph­y. Those pornograph­ic works that seek commercial profits in the guise of tanbi culture lead to a one-sided misunderst­anding of homosexual­ity.

We should make it clear that tanbi culture can never be confused with pornograph­y. Both the government and enterprise­s have the responsibi­lity and obligation to implement supervisio­n and rectificat­ion of the negative elements of tanbi culture.

In addition, supporters of tanbi culture and homosexual­s are two different groups. Tanbi culture does not represent homosexual­ity and the porn economy is not equal to tanbi culture.

In any case, homosexual­ity should not be a scapegoat for the porn economy.

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