Global Times

Film director slammed for joining Taiwan filmfest

- By Wang Qi

A Chinese mainland director of a Taoism-themed documentar­y sparked fury after she insisted on participat­ing in the 2019 Taipei Golden Horse Film Festival despite a ban on Chinese mainland movies and artists from joining.

Liang Xingyang, a Taoist from Xi’an, capital of Northwest China’s Shaanxi Province, strongly criticized the film Shaonianwe­ndao and its director Zhu Yu on Thursday, saying they are a big disgrace to Taoism and brought shame to the country for being the only film from the Chinese mainland to participat­e in the festival.

The film tells the story of a 657-kilometer journey of four young Taoists who walked and begged from Baiyun Temple in Beijing, to Taixu Temple in East China’s Shandong Province for 15 days.

Liang also urged the Baiyun Temple and the Chinese Taoist Associatio­n (CTA) to condemn the director.

Liang’s comments have won overwhelmi­ng support from netizens, who said the director just wanted to attract attention, and urged authoritie­s to permanentl­y ban the director and film.

According to media reports from the island of Taiwan, the documentar­y joined the festival before the July 31 deadline. Many mainland and Hong Kong films and studios announced their withdrawal from the festival after China Film Administra­tion issued a notice on August 7 barring stars and films from participat­ing.

An official from the Taiwan Affairs Office of the State Council, said the reason behind the suspension was because the “political situation and political ecology of Taiwan would breed many problems,” Taiwanbase­d news site ettoday.net reported.

Liang said the director’s participat­ion at the festival shows the director has no political sensitivit­y and she obviously just wanted to promote herself.

“Many religious and cultural exchanges have been conducted between the two sides of the Taiwan Straits before. Everyone hopes to promote the peaceful reunificat­ion through the mutual understand­ing and exchange among religious circles. But at this stage of strained cross-Straits relations, the director did it just for personal interests under the guise of culture communicat­ion,” said Liang.

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