CREATIVE SPACE

Artist Simon Birch at work. As soon as the doors of the vehicle lift part ways, the sense of space impresses and natural light illuminates the large-scale canvases on display.

創意空間

藝術家Simon Birch埋首創作中。汽車升降機門一開，即見偌大空間和照亮著多道大型作品的無盡天然光。

In 1976, magazine published an essay by installation artist and prominent critic Brian O’Doherty, titled "Inside the White Cube". It set the art world abuzz, coining the term for the now-ubiquitous mode of display that came to prominence during the early 20th century. With the understanding of a practitioner and the precision of a scholar, O’Doherty argued that the function of a gallery was to remove all cues that interfere with the fact that what is being admired is art.

1976年，Artforum雜誌發表了一篇由裝置藝術家兼著名評論家Brian O’Doherty名為Inside the White Cube的論文。它為現行無所不在的陳列方式定下名稱，這種風格後來更成了20世紀初期的主導模式，在藝術界捲起一陣熱潮。O’Doherty以作為從業人士的深切了解、作為學者的精準認知，爭論藝廊的功用在於抹去干擾欣賞藝術的元素。

但若然藝術被放到與別不同的背景上陳列呢？英國出生、擁有亞美尼亞人血統的駐港藝術家