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ITALIAN ELEGANCE

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Antique appointmen­ts intermingl­e with mid-century modern pieces, items from Osanna's collection and contempora­ry art throughout the family's abode. Madina wearing some of her own jewellery designs.

意式優雅

古董傢具與中世紀現代­作品交織共融,來自Osanna系列­的作品與當代藝術品可­見家庭屋各處空間。Madina穿戴著自­家首飾設計。 creates a visual fluency throughout the space, from the dining room to the bedrooms. Raw and unpolished – a sort of anti-white cube – the walls also provide the framework for the family’s art, lending atmosphere and expression to each room. Of these oeuvres (from the likes of Lucio Fontana, Maurizio Cattelan and Bill Viola), perhaps the most striking is the concave mirror by Anish Kapoor in the living room. Suspended above the fireplace, its abstract world commands attention, reflecting the palette of burnt sienna, olive green and deep burgundy back into the generous space. A largescale piece by Aaron Young also dominates, its sinuous shapes echoed in the Zanuso chair, the rug and the marble floors.

The dining room introduces a different ambience entirely, with one wall dedicated to blue-andwhite Chinese porcelain, interspers­ed with ornate antique French mirrors. Another corner assembles some of Osanna’s interior creations: a slim console with a lacquered green top, a pouffe in bronze and

Osanna除去原先­挑選的色彩後,在13呎高牆身留下幾­乎赤裸的效果。外露的裝飾在飯廳和睡­房空間各處成就統一的­視覺觀感。原始和未經拋光打磨的­模樣——像反白色正方體一樣──正好為家人的藝術品奠­下框架,更為每個房間注入獨特­氣氛和情感。縱觀Lucio Fontana、Maurizio Cattelan和B­ill Viola等人的作品,最能抓住焦點的還是客­廳由Anish Kapoor設計的凹­鏡。鏡子掛於火爐上方,抽象外形讓人久未能忘,把褐土、橄欖綠和深紅色投射到­空間各處。Aaron Young的巨型作品­也成主導元素,其彎曲線條跟Zanu­so椅、地毯和大理石地板剛好­能完美配合。 HO≤E JOURNAL

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