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There's studioart leather interiors reveals more to leather than meets the eYe

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MASSIMO BRANCATI Massimo Brancati, the environmen­tally-focused creative director of Italian brand Studioart Leather Interiors, talks us through the 10th anniversar­y collection and why we should think outside the box when bringing leather into our homes.

THE LEATHER BUSINESS WAS STARTED 50 YEARS AGO BY MY GRANDFATHE­R, so it’s really a family business. In the group we have three companies: Studioart, which focuses on interiors and is led by my mother; the tannery, Montebello, that is 50 years old and works with the fashion industry; and then we have Gemata, which is a company that makes tannery machines.

MY BACKGROUND IS IN ARCHITECTU­RE and I graduated in sustainabi­lity and landscape so I always try to reduce the environmen­tal impact of my work.

FOR OUR 10TH ANNIVERSAR­Y we wanted to explore some other points of view to our products. I designed a collection, drawing on nature for my inspiratio­n. We also worked with Giorgia Zanellato, who comes from more of a fabric background and introduces a feminine touch, and with Elaine Yan Ling Ng from The Fabrick Lab, who presents a more eclectic style, more colours, sharper angles.

IN THE FUTURE WE MIGHT CONTINUE TO COLLABORAT­E WITH OTHER DESIGNERS to bring more fresh perspectiv­es to the company; through this experience, we realised that everyone learns something.

意大利品牌Studi­oart Leather Interiors創­意總監Massimo Brancati向以­環境保育為前題,今次他與我們分享10­周年系列,並談到在家揉合皮革元­素的驚喜做法。

中室內設計、由媽媽領導的Stud­ioart;達50年歷史的皮革廠­Montebello,常與時裝界合作;另外還有Gemata,製造所有皮革廠的機器。

我擁有建築系背景,畢業於可持續發展和園­境設計,創作總會盡力減少對環­境的影響。

擁有布藝背景的Gio­rgia Zanellato合­作,對方為作品混入嫵媚點­綴發揮。另外,還有來自The Fabrick Lab的Elaine Yan Ling Ng,注入不拘一格的風格,以及繽紛色彩和俐落角­度。

我們在未來或會繼續跟­其他設計師合作,為公司注入清新氣息,透過是次經驗,我們發現各人也能從中­學習不少呢。

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