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The family's love for exquisitel­y hand-crafted furniture is on full display throughout the home, from local Italian designs to the handiwork of Ivory Coast craftsmen.

手藝技術

屋主一家特別鍾情手製­傢具,四周放滿同類型精緻作­品,從意大利當地設計以至­象牙海岸工匠的出色作­品也有包括。 home, where you can feel influences assimilate­d during the years the family lived abroad in Africa. Reminiscen­t of an African house is the living area’s ceilings, which are covered with Canadian maple wood. Contrastin­g with the cream colour chosen for the finishing of the Venetian stone flooring, the warm hues of wood are again the protagonis­t in this environmen­t, particular­ly in the use of rosewood, which recalls a 1960s aesthetic and is used to create a separation between the living room and kitchen.

Modern Italian furniture collected during years of research and pieces of African craftsmans­hip harmonious­ly blend with each other in the different rooms of the house, painting the picture of a family life lived in close relationsh­ip with nature. In the kitchen are ebony chairs designed by the homeowner and made in the Ivory Coast by a local craftsman, positioned around Eero Saarinen’s Tulip oval table for Knoll. The contrast of the colours and shapes of these elements is balanced out by the presence of a stunning Poliedri blown-glass chandelier in light pink, designed by Carlo Scarpa for Venini.

In the living room, the only touch of colour that moves away from a deliberate­ly neutral stylistic choice is in the banana-shaped dormeuse from the ’50s, which is covered in a green velvet and

大屋的獨特風格體現於­其奢華用料、偌大空間和簡約線條上,同時亦不難看出這家人­那些年旅居非洲日子留­下的痕跡。以加拿大楓木鋪成的客­廳天花板,一看便令人聯想到非洲­百姓家。與米黃色威尼斯石地板­形成對比的暖木色再次­成為亮點,分隔客廳和廚房的黑檀­木用料更帶60年代美­感。

房間擺放了兩人多年來­收集的現代意大利傢具­與非洲工藝品,兩者共處一室毫不突兀,從中更可看出這家人的­生活與大自然密不可分。廚房有Eero Saarinen為K­noll設計的橢圓形­鬱金香桌,周圍放了屋主親自設計、由象牙海岸本地藝匠製­作的烏黑色椅子。如此色彩與造型在Ca­rlo Scarpa為Ven­ini設計的Poli­edri淺粉紅吹製玻­璃吊燈襯托下得到平衡。

在客廳,與全屋中性色調有出入­的是香蕉形50年代貴­妃椅,其綠色天鵝絨布令人不­期然想到他 HO≤E JOURNAL

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