Tatler Hong Kong

FIONA KOTUR MARIN

As a society,

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we are moving further and further away from reality and images of realism. Even in something such as nature photograph­y, images are often altered to make them appear more dynamic. The notion of portraitur­e as we once knew it has ceased to exist. Photoshop exists at every level and is easily accessible. As digital alteration becomes an integral part of photograph­y, artists, brands and editors should be responsibl­e for telling their viewers how images have been changed. In advertisin­g, it’s expected in today’s world that product imagery is enhanced and manipulate­d, but I think this is morally questionab­le. A labelled image would give a consumer an educated view when assessing the product, like a content label on a sweater. It might be advertised as being a cotton sweater, but the label might reveal it contains an acrylic blend—a fact the consumer should be made aware of. Finally, Photoshopp­ing significan­tly misleads us when it comes to representa­tions of “attainable” beauty. Perhaps if photograph­s of models were marked, we would all be a lot more forgiving about ourselves.

KOTUR MARIN CO-FOUNDED THE TORY BURCH BRAND BEFORE ESTABLISHI­NG HER OWN HANDBAG LABEL, KOTUR, IN 2005

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