TO THE POINT

Hong Kong Tatler - - Milan -

Fer­rag­amo

works of Rus­sian­born sal­va­tore

mid-1910s the col­lec­tion. Gior­netti ex­plored au­tumn/win­ter

from Mas­si­m­il­iano for his ev­ery­thing

De­lau­nay onto So­nia trans­lated hit right artist was coats that

or­phic cu­bism pan­elled fur slicedand-diced De­lau­nay’s to a

silk dresses looks had shoul­der-bar­ing monochrome

Vests the block­ing. knee. Even art of colour knits were be­low the the ribbed ef­fect to il­lus­trate

mink pan­els, and cut and

with neatly ap­proach, as­sem­bled three-di­men­sional cut were fab­rics were

to give a more as the painted on stream­lined eyes,

yet com­plex were kept Easy on the pleated skirts layer.

a sheer pleat dream. re­placed with min­i­mal­ist’s

was a con­struc­tion—it in

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