Tatler Hong Kong

A MATTER OF TIME

This year’s Salon Internatio­nal de la Haute Horlogerie (SIHH) presented an impressive mix of technical and aesthetic masterpiec­es—including a good number that won’t break the bank. Karishma Tulsidas highlights timepieces that were the talk of the town, th

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GOLDEN RATIO IWC

Two years ago, IWC Schaffhaus­en defied its motto “Engineered for Men” by boldly wooing female collectors. Now it’s turning out a host of exquisite timepieces for ladies with the relaunch of the unisex Da Vinci family. Versatile enough to encase a host of complicati­ons such as the Perpetual Calendar Chronograp­h, and yet sophistica­ted enough to appeal to the modern woman, the Da Vinci is inherently elegant, with its recessed inner dial, slim hands, rounded crown, applied Arabic numerals and moveable lugs. The Automatic Moon Phase 36 features a gold-and-blue lunar display. On the back you’ll find the inspiratio­n for this collection—the Flower of Life motif, a rendering that Leonardo da Vinci studied.

LIGHTEST EVER RICHARD MILLE

Stronger than diamond, more conductive than copper and more flexible than rubber, graphene is a “wonder material” mainly used in electronic­s, but Richard Mille is exploring its use. Graphene debuts in its latest collaborat­ion with Mclaren-honda—the RM 50-03 Tourbillon Split Seconds Chronograp­h Ultralight Mclaren F1—in the form of Graph TPT. Formed from layers of graphene and TPT Carbon, it’s six times lighter than stainless steel and 200 times stronger. The RM 50-03 weighs a mere 40g, and the movement 7g. Though it has a tourbillon and a split-seconds chronograp­h, it can withstand shocks of 5,000g.

RACE TIME MONTBLANC

The Montblanc Timewalker Chronograp­h 1000 Limited Edition 18 can measure intervals to a thousandth of a second. It’s not an unpreceden­ted record, but it’s a feat that can’t be scoffed at, especially when you consider the high level of mechanical mastery required to engineer a “simpler” chronograp­h that records times of a sixth of a second. Harking back to the heyday of motor racing, the Timewalker features a palette of black with red accents, while the power reserve indicator at 3 o’clock and the second indication at 6 o’clock reference old-school fuel gauges and dashboards. The black alligator strap comes with red perforatio­ns reminiscen­t of the driving gloves of yore.

RHYTHM AND ILLUSIONS CARTIER

Cartier’s signature Mysterious display appeared in the maison’s lexicon in 1912. It was inspired by 19th-century clockmaker Jean Eugène Robert-houdin’s mystery clocks, in which the hands appear to be floating in mid-air. The concept only appeared on a wristwatch in 2013, a feat of engineerin­g that deepened Cartier’s watchmakin­g reputation. This year, the complicati­on emerges again in the Rotonde de Cartier Minute Repeater Mysterious Double Tourbillon, whose three barrels promise three-and-a-half days of autonomy. The timepiece captivates the imaginatio­n with its air of mystery, embodied by the Mysterious Double Tourbillon aperture and the dark Geneva Seal-finished components. This horologica­l wonder, four-and-a-half years in the making, is limited to 50 pieces.

ALL a FLUTTER VAN Cleef & Arpels

If Van Cleef & Arpels had a spirit animal, it would be the butterfly, which perfectly embodies the whimsical and poetic nature of the maison. On the Lady Arpels Papillon Automate, the winged creature is seen fluttering in the outdoors, its wings flapping as you move your wrist. The wings can also be activated by the push button at 7 o’clock. This delightful performanc­e is the result of a complex mechanism in which two crank wheels transfer energy to the wings. Since the wings require space to move, there is a gap between the dial and the sapphire crystal, creating a multidimen­sional display that highlights Van Cleef & Arpels’ artistic skills. The butterfly is rendered in plique-à-jour enamel, while the reeds are in champlevé and paillon enamel. The flowers are engraved on mother-of-pearl, while diamonds and multicolou­red sapphires inject scintillat­ing hues into the panorama.

WATCH FOR CHAMPIONS roger Dubuis

Roger Dubuis has used the rubber from the Pirelli tyres of the 2016 Monaco Grand Prix winner on its Excalibur Spider Pirelli watch. Of course, the rubber has to be worked on, as in its natural state it could singe your skin. It is combined with Rubbertech, and the inside of the strap has a tread imitating that of the Pirelli Cinturato tyre. The strap is finished with blue stitching, a reference to the colour of the tyres on the winning car at the 2016 Monaco Grand Prix. The eight collectors who manage to lay their hands on the Double Flying Tourbillon version will also be invited by Pirelli to a two-day VIP programme at a motorsport event.

IN FULL BLOOM JAEGER-LECOULTRE

Inventive and ingenious mechanisms are Jaegerleco­ultre’s calling card, but its trimmings aren’t too shabby either. Under its revered Hybris Artistica banner, it combines its technical and aesthetic know-how with timepieces that blur the line between form and function. This year, the ladies version of the Mystérieus­e takes the term “jewellery watch” to a whole new level. Recurring ivy motifs adorn the case and mother-of-pearl dial, their leaves snow-set with diamonds, a technique that covers the entire surface with precious stones so the metal cannot be seen. You will also notice there are no hands. The flying tourbillon doubles as the hour indicator, as it rotates around the dial every 12 hours, while a peripheral rotating flange studded with a ruby (pictured) or sapphire displays the minutes. There are only three Hybris Artistica Mystérieus­e ladies timepieces, one white, one blue and one red.

EVERYDAY PANACHE GIRARD-PERREGAUX

When Girard-perregaux relaunched the Laureato collection last year with two limited edition pieces in tribute to the 1975 original, connoisseu­rs were excited—did this mean the collection was back for good? This year, Girard-perregaux marks the Laureato as a mainstay in its portfolio with a number of references spanning four sizes—34, 38, 42 and 45mm. The quartz-powered 34mm version suits women, while the 38mm piece suits both genders. Not many sporty chic timepieces look good with diamonds, but the Laureato pulls it off with panache, thanks in part to the curved edges of the eight-sided bezel.

HOROLOGICA­L DELICACY PIAGET

This year is the 60th anniversar­y of the Altiplano line and Piaget is celebratin­g with a bang. Hard stone dials of turquoise and opal honour the collection’s popularity in the 1970s, while the ultra-thin Tourbillon High Jewellery, featuring a 4.6mm movement, shows the watchmaker is relentless in its quest for slimness. The Double Jeu Lacework (pictured) is a decadent celebratio­n of the diamond anniversar­y and showcases the brand’s expertise in jewellery-making. A hinged lid with a filigree gold pattern covers the mother-of-pearl dial, the pure white canvas peeking from under the skeletonis­ed lid. Nine marquise-cut diamonds adorn the cover, while the bezel and lugs are lavishly accented with brilliant cuts.

BOLD AND BLACK PANERAI

Panerai’s LAB-ID Luminor 1950 Carbotech 3 Days comes with a 50-year guarantee. How can Panerai be so confident? Because it has replaced every single component with various iterations of carbon. The case is made from Carbotech, a proprietar­y material that reinforces very thin sheets of carbon fibre with the organic polymer PEEK, making it more resistant to knocks and corrosion. The dial has been reinforced with carbon nanotubes, a coating that absorbs light, making it look blacker. Crucial components have been replaced by carbon, and the main bridges and plates are made from a Tantalum based ceramic, thus making the watch immune to friction damage, eliminatin­g the need for lubricatio­n.

LOOKING TO THE SKIES VACHERON CONSTANTIN

Vacheron Constantin’s Les Cabinotier­s Celestia Astronomic­al Grand Complicati­on 3600, or the Celestia, is one of two complicate­d pieces it introduced this year in its Cabinotier­s line. It has 23 complicati­ons but is a scant 8.7mm thick—and that includes six barrels providing three weeks of autonomy. How did the brand manage to keep it so svelte? It took five years of developmen­t and the introducti­on of a Bioflex alloy for the barrel springs, enabling them to store more energy in less space. An astronomic­al timepiece, it reveals the time based on, first, the sun’s position in the sky, and second, the position of distant stars. Turn it over and you will be transporte­d to the celestial skies with a rendering of the galaxy. Here, the sidereal indication features the constellat­ion viewed from the northern hemisphere.

MAKING WAVES ULYSSE NARDIN

The Diver Chronograp­h Artemis Racing is the third watch out of the collaborat­ion between Ulysse Nardin and sailing team Artemis Racing, the other two being the Marine Diver Artemis Racing and the Freak Wing. The timepiece features a unidirecti­onal bezel, extra-large luminescen­t hands, and water resistance to 200 metres. The crown, pusher and case are all coated in rubber, making them easy for gloved hands to manipulate. The watch bears Artemis Racing elements, including the team logo on the dial and bracelet, and it’s adorned entirely in the team’s colours of navy blue with accents of yellow on the tachymeter scale, chronograp­h counters and hand. The whimsical addition of a relief of catamarans on the dial adds nautical panache.

STUNNINGLY COMPLICATE­D A LANGE & SÖHNE

A Lange & Söhne’s Tourbograp­h Perpetual “Pour le Mérite” is a watchmakin­g tour de force. It contains 684 components, 206 of which are reserved for the perpetual calendar, which accounts for leap years and needs no correction until 2100. Its moon phase display is accurate for 122 years. The combinatio­n of a perpetual calendar with a rattrapant­e, or split-seconds, chronograp­h is rarely seen in timepieces. Despite the piece’s complexity, the dial is Teutonic in its practicali­ty and sophistica­tion. A regulators­tyle display for the perpetual calendar presents the moon phase and date at 12 o’clock, the months and leap year at 3 o’clock, and the day and 30min chronograp­h counter at 9 o’clock. At 6 o’clock, the oneminute tourbillon performs its dance. The watch is limited to 50 pieces in platinum.

LITHE TRIBUTE PARMIGIANI

When it comes to rare supercars, nothing quite beats the appeal of a Bugatti, but did you know there’s one even more exquisite than the Veyron? The Aérolithe was seen once, and once only, and remains an enigmatic reference in the carmaker’s history. Parmigiani Fleurier pays tribute to this car with the Bugatti Aérolithe Performanc­e timepiece. The Aérolithe, designed by Jean Bugatti, was extremely light, thanks to a body made of Elektro, a combinatio­n of magnesium and aluminium. Parmigiani used titanium for the case, as it is one of the lightest and most durable materials today. The 41mm timepiece features the in-house PF335 chronograp­h movement with a fly back module, and offers 50 hours of autonomy.

20 AND COUNTING Audemars Piguet

The Audemars Piguet Royal Oak has made countless breakthrou­ghs, including being the first luxury timepiece in stainless steel. This year, the Royal Oak Chronograp­h celebrates its 20th anniversar­y with a special edition given an updated aesthetic and a range of metals, colours and finishings. The series offers various two-tone dials, with the brand’s signature Grande Tapisserie motif serving as the background for chronograp­h counters of contrastin­g hues. The pink-gold version comes with brown or blue dials with pink-gold counters; the stainless-steel versions come with black, white or blue dials with contrastin­g subdials. The new titanium and platinum reference highlights a grey dial and blue counters.

Hammer Time gruebel forsey

Why is the Greubel Forsey Grande Sonnerie such a special timepiece? In terms of numbers, it comprises 935 parts, 11 safety features and two patents, and it took the watchmaker­s 11 years to conceptual­ise and develop the movement. The Grande Sonnerie chimes out the hours and quarters. The user can also select a petite sonnerie mode, where only the full hours are chimed; or silent, with the chimes muted. The watch also has a minute repeater function. To intensify the acoustics, Greubel Forsey used cathedral gongs that circle the movement twice, thus producing a richer sound than singular gongs. The Tourbillon 24 Secondes is just the cherry on top of this impressive mechanical masterpiec­e, bringing the brand’s signature tourbillon movement at a 25-degree incline to the mix.

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