Shanghai Daily

Visions of joy and prosperity across regions

- Nianhua nianhua nianhua. nianhua nianhua. nianhua nianhua

SUZHOU Taohuawu is representa­tive of the southern school of (New Year’s picture), and Yangliuqin­g in Tianjin is its northern school counterpar­t.

The woodblock prints created in these two places along with Yangjiabu in Weifang, Shandong Province, and Mianzhu, Sichuan Province, are generally known as the “best four New Year’s pictures” in China.

They have their own distinctiv­e features, but all evoke a joyful and prosperous atmosphere.

Mianzhu

The history of Mianzhu can be traced back to the Northern Song Dynasty (960-1127). Thriving in the Qing Dynasty (1644-1911), the prints were sold both at home and overseas.

It is said that there were over 900 artists and 300 family workshops engaged in the production of Mianzhu with an annual production exceeding 12 million pieces at that time.

Mianzhu artists only print sketches on locally produced paper and then color patterns, which distinguis­hes it from other types of

Symmetrica­l structures, dramatic designs, smooth and fine lines and intense contrast in color are all characteri­stics of the folk art.

Yangjiabu

Influenced by Yangliuqin­g genre, Yangjiabu also originated in the late Ming Dynasty (1368-1644) and flourished during the reign of Emperor Guangxu in the Qing Dynasty.

The decorative and exaggerate­d art form features imaginativ­e designs, vigorous and bold lines, primary colors and simple style.

Its themes are varied, including traditiona­l theater figures, animals, plants, children and deities such as the god of door, the god of wealth and the kitchen god.

Yangliuqin­g

Located in the western suburbs of Tianjin and adjacent to the Grand Canal of China, the longest and oldest artificial river in the world, Yangliuqin­g was a vibrant and multicultu­ral town.

Originatin­g in the late Ming Dynasty, Yangliuqin­g reached its peak in the Qing Dynasty.

Characteri­zed by a combinatio­n of woodblock printing and colored hand-painting, Yangliuqin­g

mainly portrays tales from traditiona­l Chinese opera, chubby babies and elegant women.

In its heyday, there were 32 villages around Yangliuqin­g producing

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