Shanghai Daily

Empty promises: a ‘real’ supermarke­t as art

- Wang Jie falangcai falangcai falangcai

Contempora­ry artist Xu Zhen is showing something new at Sotheby’s Hong Kong Autumn Auction. A certificat­e signed by Xu conferring the exclusive right to commission physical recreation­s and enactments of XUZHEN Supermarke­t is expected to fetch US$115,700-193,000 at the Contempora­ry Art Evening Sale on September 30 in Hong Kong.

Born in 1977, Xu came of age within the Shanghai undergroun­d art scene in the 1990s and quickly became one of the most iconic and influentia­l figures in Chinese contempora­ry art.

In 2001, at the age of 24, Xu became the youngest Chinese artist at the time to participat­e in the Venice Biennale. He went on to win the China Contempora­ry Art Award in 2004 and has since exhibited widely in major internatio­nal museums and festivals.

Some say that Xu was always a step ahead of his peers.

In 2009, Xu establishe­d MadeIn Company and subsumed his individual identity with the art creation company.

In 2013, he went one step further in blurring the boundaries between art and commercial production. MadeIn launched a brand — Xu Zhen, making himself a product of his own corporatio­n.

Xu is renowned for his witty, tonguein-cheek satirical conceptual works that break boundaries and establishe­d notions concerning both art and society.

XUZHEN Supermarke­t, which satirizes consumers, is one of his most iconic and critically acclaimed works.

A replica of a Chinese convenienc­e store, including a bona fide cash register and a diverse assortment of merchandiz­e, the market invites visitors to browse among shelves stocked with a range of familiar goods — from tubes of Colgate toothpaste to bottles of Kweichow Moutai (a Chinese spirit).

Upon closer inspection, it becomes apparent that each is empty, consisting only of its packaging. But all items are on sale at their regular price. The work actually offers a playful yet penetratin­g critique on consumeris­m and global capitalism.

First exhibited in 2016, XUZHEN Supermarke­t evolved from its predecesso­r, the ShanghART Supermarke­t, which debuted at Art Basel Miami Beach in 2007 and was later exhibited around the world.

Beside XUZEHN Supermarke­t, the highlights at Sotheby’s Hong Kong Chinese works for the Art Autumn Sale Series 2018 are two Qianlong (1711-99) porcelain masterpiec­es — a Beijing imperial (foreign colors) bowl and a famille-rose (red) reticulate­d vase with roundels depicting fish.

This bowl is one of the examples of Qianlong porcelain in private hands. It is exquisitel­y enamelled on the exterior with an intricate design of poppies issuing from rockwork, with a butterfly depicted fluttering gracefully overhead, and a poem; and the interior with a finger-citron, apple and cherries.

Other than a pair of Yongzheng (16781735) dishes enamelled with poppies, preserved in the Palace Museum in Taipei, no other example is known.

Following its exhibition at the Yamanaka gallery in New York in 1905, the “fish” vase has remained dormant in a private Japanese collection for almost a century since its acquisitio­n in 1924. Carved and exquisitel­y painted with four pairs of fish below Rococoinsp­ired motifs on a yellow sgraffito ground, the famille-rose reticulate­d vase is modelled with an inner blueand-white vase.

Ranking among the most complex porcelains ever commission­ed by Emperor Qianlong, it is the pair to the famous Bainbridge Vase auctioned for 43 million pounds (US$55.5 million) in 2010.

Date: Contempora­ry Art Evening Sale, September 30

Chinese Works of Art Autumn, October 3, Address: Hall 1, Hong Kong Convention and Exhibition Centre

 ??  ?? XUZHEN Supermarke­t has all the trappings of a legitimate business — except that the products on the shelves are nothing more than empty packages.
XUZHEN Supermarke­t has all the trappings of a legitimate business — except that the products on the shelves are nothing more than empty packages.
 ??  ?? Famille-rose reticulate­d vase
Famille-rose reticulate­d vase

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