Shanghai Daily

The perfect zombie musical for Christmas

- Jocelyn Noveck

CONSIDER it an early Christmas gift: “Anna and the Apocalypse” is the zombie horror holiday musical you didn’t know you needed.

Just imagining that first pitch meeting is entertainm­ent in itself. “It’s ‘High School Musical’ meets ‘World War Z!’ No no, it’s ‘Glee’ meets ‘Shaun of the Dead!’ Hold on ... it’s Christmas! OK, ‘Love Actually’ meets ‘The Walking Dead!’”

Whatever its cinematic antecedent­s, “Anna,” which boasts an appealing cast of fresh-faced newcomers and a quirky Scottish sensibilit­y, is charming, often clever, and unexpected­ly moving, too.

The film, directed by John McPhail with catchy original songs by Roddy Hart and Tommy Reilly, has a sad backstory.

It’s based on a BAFTA-winning short film, “Zombie Musical,” by Ryan McHenry, who died at age 27 of cancer in 2015 just as his project was on the way to becoming a feature film.

The new film has the undeniable asset of Ella Hunt in the lead role, charismati­c and touching as teen heroine Anna.

At 18, Anna is ready to graduate high school in her small Scottish town of Little Haven, and keen to experience the world.

As we begin, she’s informing her dad ( Mark Benton), who’s raising her alone, that she plans to postpone university and travel to Australia. He is not amused.

Dad’s the janitor at Anna’s high school, which is run by a misfit headmaster, Savage (Paul Kaye).

The first part of the movie — we’ll call it the “High School Musical” section — introduces us to the typical slate of teen characters.

To name a few, there’s Anna’s best friend, John (Malcom Cumming), the nice guy who secretly loves her, army brat Nick (Ben Wiggins), the conceited bully who’s dated and dumped her, and Steph (Sarah Swire), a brooding aspiring journalist neglected by her wealthy parents.

All coping with the usual teenage pressures as they seek to define themselves and prepare for adulthood.

What they don’t expect is a zombie apocalypse. It happens suddenly one day. Heading out of the house, Anna puts her headphones in and sings cheerfully of a beautiful new morning.

“What a time to be alive,” she sings, and dances, oblivious to the murderous zombie mayhem happening in the suburban streets around her.

Finally Anna and friend John, also dancing away the morning, meet in a playground, where they have a head-spinning encounter with a zombie dressed as a snowman.

By the end, you may find yourself wiping away a few tears. Somehow, this amusingly chaotic mashup of genres finds a way to strike a final note that’s simple and true.

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