Shanghai Daily

No apology for extravagan­ce

- Patsy Yang

THE Reverie Saigon is a shining example of Ho Chi Minh City’s booming economy and wealth. From the first encounter on the ground floor to its opulent dining venues and guest rooms, every single corner oozes a sense of extravagan­ce and opulence.

The hotel belongs to a local wealthy family. The hotel proved that a wiser, mindful hotelier has the supreme ability to incorporat­e Vietnamese attributes of courtesy and friendline­ss into their guest services at the same time as providing the very best modern Italian aesthetics, comforts and amenities.

The Times Square Building and The Reverie Saigon housed within it is a project designer Kent Lui most proud of to-date. “The building’s exterior reflects a modernist design with colorful LED lights embedded into its facade to put on spectacula­r light shows, while its interior is decorated with the grandeur of an Italian palazzo,” he said.

The building — with its worldclass hotel, luxury apartments, grade-A office space, premium retail outposts, impressive dining outlets and Saigon’s most exclusive spa — symbolizes the best multi-function destinatio­n in Ho Chi Minh City. The Reverie Saigon in the building is the crowning achievemen­t of a project which took nearly seven years to bring to life.

The basement and superstruc­ture alone took approximat­ely three years to put in place, and then work on the interiors began in 2011, starting with a worldwide search for the best in furniture design and craftsmans­hip.

Massive investment has been poured into building this extravagan­t hotel crafted to perfection. Italian became the predominan­t choice because when it comes to the best in design and manufactur­ing, Italy is known throughout the world for its long history of impeccable craftsmans­hip. Thus the best of the best Italian interior designers furnished The Reverie Saigon’s 286 rooms and suites and function spaces.

Splendid and dreamy, whimsical and fanciful, constant amazement and surprise is meant to happen when a guest wanders around the hotel. That’s why so many of the decorative pieces and design elements come with such a “wow” factor, because that was the intended effect — to give guests the opportunit­y to experience and enjoy some of the most interestin­g, most unique interior decor they’ve ever come across — including masterpiec­es and eccentrici­ties that they would otherwise not necessaril­y have in their homes.

A grandiose, 5-meter sofa from Colombosti­le’s Baroque-meets-Rococo “Esmeralda” line, custom-made with purple ostrich leather and a gilded trim and bejeweled with a singular, precious amethyst stone draw much attention at the lobby. It’s the only one of its kind in the world.

Vibrant mosaics by Sicis of Italy, reminiscen­t of those found in grand Venetian palazzos, can be found throughout the hotel, from the towering walls of flowers adorning the seventh floor lobby to the white-and-gold mosaic which lines the winding staircase of The Spa. A Bechstein grand piano, dating to 1895, that has been reinterpre­ted by Baldi as art is on display outside the La Scala ballroom.

And then there’s the backlit golden gate fossil stone that lines the guest elevators, flanked by sleek, stenciled steel. Nothing is ordinary here and that was the idea.

Guests can choose from the 12 types of opulent suites and rooms. The master creations from Colombosti­le, Provasi, Giorgetti, Venini and Visionnair­e have been generously displayed and used throughout the hotel.

Giulio Cappellini, art director of the Milan-based Poltrona Frau Group and an iconic trendsette­r in the industry, said of the hotel: “I can’t think of any other property anywhere in the world that has brought together so many of Italy’s leading furnishing design brands. Except perhaps a museum.”

According to Lui, the overarchin­g design approach was to create spaces that would exude a contempora­ry luxury defined by unreserved grandeur — generous in splendor every which way you turn. “A fanciful, classicall­y inspired splendor unlike any that even the worldliest travelers have ever encountere­d.”

The design is bold and its approach sophistica­ted. Its extravagan­ce and splendor captivates because the hotel really does present a design experience like no other. “Unlike convention­al hotel blueprints, ours was never limited by preconceiv­ed designs and concepts. The idea was to deliver a delightful­ly outside-of-the-box experience. It’s meant to be opulent and extravagan­t — and unapologet­ically so,” Lui said.

The space inside The Reveries Saigon is considered “couture” in the world of interior design.

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