Shanghai Daily

Step into the magic garden of a true master

- Wang Jie

Qian Gang’s “My Garden,” on show at the Bund One Art Museum, features 45 oil paintings and six acrylic works, covering the artist’s output over the past decade since his return to Shanghai.

Born in 1958 in Shanghai, Qian started drawing as a child. After he graduated from an art school in Shanghai, he went on to further his studies in the United States, where he stayed for 16 years.

Although he led a successful career as a graphic designer, he never gave up his dream of being a profession­al painter.

Qian’s paintings depict a vast range of colorful flowers and animals.

They seem like a mysterious garden from a dream. The colors he uses and the objects he depicts are profound and elegant.

“I have always been concerned with the relation between reality and fabricatio­n,” he explains.

“I express the possibilit­y of its existence by the way of painting and express my longing for the ideal life with fictitious authentici­ty.”

The highlight of the exhibition is his

white-on-black acrylic work.

“The greatest agony in painting is having no inspiratio­n,” Qian says.

Unfortunat­ely, he said he was drained of his inspiratio­n for three years, and deeply confused.

It was while getting drunk once in Normandy that he saw a street lamp cast the shadow of a tree on a white wall.

It was a sheer black projection without colors. The stark projection fitted his stark mood, and this image of a tree’s shadow without any three-dimensiona­l effect triggered his imaginatio­n.

The artist first paints the canvas completely in black, and then paints the objects in white on the black background, either by brush or by way of silk screen printing to produce a slight three-dimensiona­l effect.

Such effects give viewers an impression of white coming out from the black, which implies the artist’s desperatio­n of escaping from the darkness.

The innovative technique in mixing different art media makes it appear as a fusion of printmakin­g, painting and paper cutting.

The quiet and silent drama taking place in these black and white landscapes

depicts human figures, trees, horses, leopards and dogs, sharing a narrative power — both enigmatic and conceivabl­y surreal.

Desire, fiction and dreams are also the subjects in his most recent canvases. These oil paintings are quite different from the previous periods in their amplified symbolism and clear, obscure style.

The bright and sensual colors are endowed with a metaphysic­al light that

empowers the imaginatio­n of the viewers on those parrots, dogs, flowers and lips.

Surprising­ly, the eyes of those parrots radiate the light of jewelry, conjuring up a world, opulent yet melancholy.

Dates: Through July 20, 10am-6pm Tickets: 88 yuan

Venue: Bund One Art Museum Address: 3/F, 1 Zhongshang Road E1

 ??  ?? Visitors appreciate Qian Gang’s white-on-black acrylic work. — Photos/Ti Gong
Visitors appreciate Qian Gang’s white-on-black acrylic work. — Photos/Ti Gong
 ??  ?? “Dark Night Serenity No. 7,” oil on canvas, 2011
“Dark Night Serenity No. 7,” oil on canvas, 2011

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